Before I jump into the meat of this post, I want to address something I'm sure will pointed out by more astute readers of this blog. I've mentioned before why I don't post advice about writing. Some of you may think this posting will run counter to that notion, but I'd argue that it doesn't exactly. When I said that I don't like to dole out writing advice, what I was referring to was the actual nuts-and-bolts mechanics of writing. Nor will I blow sweet-nothings in your ear in order to try convincing you to sit your butt in the seat and commit to writing when you don't want to. Hell, I don't even do that when I don't feel like it...anymore. Although, there was a time I did do that. Also, every writer is different, approaching the task a different way with various motives. Writing is not a one-size-fits-all endeavor. Therefore, I will assert that I do not create blog posts instructing other writers how to go about the task of writing.
There. Now that my little disclaimer is out of the way, I want to talk about why I think outlines are a good idea when writing. Again, you might be pointing to the disclaimer, saying "Hey! You just said you wouldn't tell others how to go about writing." To which I would agree and point out that I am only illustrating why I think they are good to use. This blog is about me, my writing, and my other hobbies. Now, I don't always use outlines when I write, at least, not the traditional outline we learned in school. But, I do use some form of outline, in the loosest sense of the word.
If you're like me, the word outline probably makes you cringe as you think back to that rigorous, structured form the teacher made you write in grade school. Forget that. Unless, of course, you think back on it with warm regards. If that's the case, then, by all means, embrace it. Also, if that's the case, then you probably already use outlines. For the rest of you, I want to paint a better picture of the outline. It doesn't have to be that stodgy old tool you're imagining. When I sit down to write, I don't like feeling confined by rigidity and rules. I think that stifles creativity, which should flow like a river, free and wondrous. So, my writing environment is as free from rules as possible. I want to be comfortable. My outlines hold to that philosophy and can differ from outline to outline. One might be a list of bullet points, each corresponding to major plot points I want to cover in the story. Another may resemble that more rigorous, traditional outline if I can visualize the story more deeply and want to capture those details for days or weeks down the road when I might potentially forget them. And, still, others may resemble notes more suitable to appearing on napkins, pieces of cardboard, or what have you.
The outline is only there to serve you, the writer, in whatever capacity helps. When you're writing a novel, it's like setting off on a quest through a forest. You might clearly see the trail heading off into the trees and gleefully follow. But, at some point, that trail may begin to disappear among the brush until you are lost among the trees. Having an outline is like having a compass and map as you navigate the unfamiliar territory. If you've written before, I'm sure you can recall times when you've sat down to write and soon find yourself floundering with what you've written, unable to determine where you are in the plot or where you need to be heading. If you've outlined, you can reference it to get your bearing and get back on course. I've done this and been thankful for having my outline to keep me on track.
I've mentioned that I go about creating my outlines differently each time. Here's why: each story, like people, are uniquely different. Stories demand different kinds of attention. Sure, I've written spontaneously without having the benefit of an outline, but these are rare cases for me. More often than not, I will have some form of outline as I get started. These outlines may contain the high-level bullet points I mentioned earlier, illustrating the course of the story from a bird's eye view. Typically, obstacles will crop up during the course of writing, however, that need to be circumnavigated. At times like these, I will resort to making another outline, one more granular, pointing out how to get me from point D to E in the larger outline. But, as I've said, my outlines differ from story to story. Case in point, I've also written with a partial outline, leading me the first chapter or two into a story. Once I get to that place where the trail ends, I stop writing, pick up my outline and brainstorm about where I want to go from there. Then, I will sit and outline the next chapter or two until, finally, I have reached the end of the book. Each of these techniques depend on the story I'm writing and whichever one feels good to me at the time.
This is how I go about writing. Every writer is different, so I don't recommend you do things like I do. Unless, of course, you feel comfortable doing this. Writing is hard enough as it is. Feeling good about how you approach and feeling comfortable while you're doing it are keys to finishing. So, if you find that you can't finish a story because you often find yourself lost in the woods, maybe creating an outline to chart the rest of your journey will help you across the finish line. It's definitely beneficial for me. And, if you came here seeking writing advice or words of motivation, I don't want to disappoint. Instead, let me recommend a blog that I find instrumental in these areas. Chuck Wendig's Terrible Minds is a great source for writers and he's very funny (at least, I think so). Thanks for stopping by!
Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts
Saturday, June 15, 2013
Sunday, September 9, 2012
--Insert Witty Title Here--
Sorry I haven't posted anything lately. I kind of feel at loose ends with my various projects; like I'm being pulled in several different directions. It may sound like I'm overwhelmed, but the truth is, I'm not. I'm more lost than anything, just drifting. Hence the title of this post. It seems to sum up my feelings pretty well.
With my writing, I am floundering. I have so many ideas and they all appeal to me. At least until I begin working on them, then the plot seems to hit a brick wall or simply fizzles out. I feel like I'm searching for the Higgs Boson and while I'm examining a theory, something shows me I'm headed in the wrong direction, so I stop or change course with uncertainty. This is the longest I've gone between stories without a definite course. There's only one thing to do, however. I need to pick a story and power through it. But, that's easier said than done. Currently, I have my sights set on a YA Halloween tale in the vein of Ray Bradbury's The Halloween Tree or Clive Barker's The Thief of Always, both great books.
In addition to my writing, I also have some other projects I'm working on. It's that time of year when my mind becomes distracted by the approach of fall, and with it, my favorite holiday, Halloween. This means I'm trying to create some cool silicone masks. I managed to sculpt a cool design a couple of weeks ago and then made the mold for it. When I finished the mold I went ahead and made two different casts. For those of you that don't know, a cast is when you pour in the silicone, let it dry, and then pull out the finished product. The first cast was too thin and ripped in several places. This is not uncommon. So, I poured another cast, making sure to double the amount. When I pulled it out, I had less rips, but still, that cast was unsuccessful. I haven't gone back to try again...yet.
My last distraction is my photography, which has come more to the forefront lately since I started trying to sell some of my work. I'm also pleased to announce that I am working on several new techniques. Last night, I experimented with something called light painting. When you light paint, you set up your camera in the dark, focused on a specific scene, and use a light source to highlight an area of the scene. I was pleased with my initial results and want to do more of these types of photos for my gallery. Also, there are some more techniques I want to try, but I'm waiting for the right time to try them.
Now for a confession: I made a major purchase this past week. I made the leap from my current camera (a Canon Rebel T2i) to a more professional-grade camera (a Canon 5D mark II). With the significant price difference, I did not arrive at this decision lightly, but I feel it will allow my pictures to really pop. Time will tell. In the meantime, I need to focus on something and see it through to completion. If you want to help me out, please buy one of my books or one of the photos from my gallery. It would certainly go a long way to lifting my spirits. As always, thanks for stopping by!
With my writing, I am floundering. I have so many ideas and they all appeal to me. At least until I begin working on them, then the plot seems to hit a brick wall or simply fizzles out. I feel like I'm searching for the Higgs Boson and while I'm examining a theory, something shows me I'm headed in the wrong direction, so I stop or change course with uncertainty. This is the longest I've gone between stories without a definite course. There's only one thing to do, however. I need to pick a story and power through it. But, that's easier said than done. Currently, I have my sights set on a YA Halloween tale in the vein of Ray Bradbury's The Halloween Tree or Clive Barker's The Thief of Always, both great books.
In addition to my writing, I also have some other projects I'm working on. It's that time of year when my mind becomes distracted by the approach of fall, and with it, my favorite holiday, Halloween. This means I'm trying to create some cool silicone masks. I managed to sculpt a cool design a couple of weeks ago and then made the mold for it. When I finished the mold I went ahead and made two different casts. For those of you that don't know, a cast is when you pour in the silicone, let it dry, and then pull out the finished product. The first cast was too thin and ripped in several places. This is not uncommon. So, I poured another cast, making sure to double the amount. When I pulled it out, I had less rips, but still, that cast was unsuccessful. I haven't gone back to try again...yet.
My last distraction is my photography, which has come more to the forefront lately since I started trying to sell some of my work. I'm also pleased to announce that I am working on several new techniques. Last night, I experimented with something called light painting. When you light paint, you set up your camera in the dark, focused on a specific scene, and use a light source to highlight an area of the scene. I was pleased with my initial results and want to do more of these types of photos for my gallery. Also, there are some more techniques I want to try, but I'm waiting for the right time to try them.
Now for a confession: I made a major purchase this past week. I made the leap from my current camera (a Canon Rebel T2i) to a more professional-grade camera (a Canon 5D mark II). With the significant price difference, I did not arrive at this decision lightly, but I feel it will allow my pictures to really pop. Time will tell. In the meantime, I need to focus on something and see it through to completion. If you want to help me out, please buy one of my books or one of the photos from my gallery. It would certainly go a long way to lifting my spirits. As always, thanks for stopping by!
Tuesday, October 25, 2011
Status Update: My Writing Projects
So, it's been a while since I gave a status update on my novel, Majoring in Murder. Well, I finished tweaking the eBook format today for the Nook and Kindle. In addition to that I worked on formatting it for the paperback edition I hope to publish through CreateSpace. I've never self-published a paperback, so we'll see how that turns out.I sent the Nook version to a new beta reader and hope to have it back sometime early next week unless he finishes before then, which he might. He said he was a fast reader. I've got my fingers crossed that he likes it. I expect to publish it in early November.
NaNoWriMo is fast approaching and I've been giving some thought to what I want to write during that time. At first, I was thinking of writing a non-fiction book about making silicone masks. I still plan to do that, but as I was looking through my idea file, another story caught my attention. One that was begging to be written. It's sort of different from the stories I normally write. This one is less horror and crime, although there are some seedy characters in it. I like to think it has a stronger sci-fi element to it, which really isn't my forte, but nevertheless, I'm going to take a stab at writing it. We'll see how it comes out. The non-fiction book will follow sometime soon after that.
Also, I began editing a Southern Gothic novel I wrote last year called Lathem's Lament. After reading Faulkner's As I Lay Dying, I wanted to write a book in a similar vein. I wasn't all that excited about it when I finished, thinking I had failed as I put down that last word. When I returned to it today and began reading, however, my excitement was renewed. If all goes well, I hope to release it sometime early next year.
That's pretty much what I've got on my plate. I plan to be busy and productive. I'll let everyone know when I release Majoring in Murder. In the meantime, here's an SNL video I thought you might enjoy.
NaNoWriMo is fast approaching and I've been giving some thought to what I want to write during that time. At first, I was thinking of writing a non-fiction book about making silicone masks. I still plan to do that, but as I was looking through my idea file, another story caught my attention. One that was begging to be written. It's sort of different from the stories I normally write. This one is less horror and crime, although there are some seedy characters in it. I like to think it has a stronger sci-fi element to it, which really isn't my forte, but nevertheless, I'm going to take a stab at writing it. We'll see how it comes out. The non-fiction book will follow sometime soon after that.
Also, I began editing a Southern Gothic novel I wrote last year called Lathem's Lament. After reading Faulkner's As I Lay Dying, I wanted to write a book in a similar vein. I wasn't all that excited about it when I finished, thinking I had failed as I put down that last word. When I returned to it today and began reading, however, my excitement was renewed. If all goes well, I hope to release it sometime early next year.
That's pretty much what I've got on my plate. I plan to be busy and productive. I'll let everyone know when I release Majoring in Murder. In the meantime, here's an SNL video I thought you might enjoy.
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Tuesday, October 4, 2011
Halloween Mask Concept
Halloween is less than thirty days away and I've completed my first full head silicone mask. That one was a trial run in order to identify mistakes in my molding/casting process. I encountered a few problems and have learned from those. However, I need to create another mask in order to execute the changes to my process. Below are pictures: one of me wearing the freshly cast, unpainted first mask. (If you zoom in, you might see the flawed seam. My back mold broke during the demolding process and I had to superglue the cracks :(); the rest of the pictures show my second sculpture using oil-based clay, which is still a work in progress. I have to smooth out the details and get the symmetry right, but this gives you an idea of what the finished product should look like.
As you can see, I'm going for an evil clown look. Who doesn't love an evil clown? I've taken pictures of the first sculpture and Photoshopped various makeup patterns that I am considering using. I tested my new airbrush setup on the first mask I made and wasn't very happy with the results. Maybe it's my naivete with the airbrush and silicone paint, but the white I sprayed on came out glossy. I don't want glossy. I'm glad I tested it on a rough mask first. I went out and bought some grease paint from Party City and plan to test that on the same test mask. Hopefully, it will come out the way I intend. As for the airbrush and silicone paint, well, I guess I need to research that method of painting more to improve my technique and avoid the glossy shine.
In addition, I am considering punching the hair, but that might not work since time is running out and hand-punching hair takes forever. Also, I've yet to do it myself. Keep in mind, I've only learned to do this my watching tutorial videos on YouTube. I've seen other guys make mistakes and learned from them. Not only that, I've made my own and am learning from them, changing the way I work to avoid making those mistakes again.
If you're reading this and wondering, Hey, what about your novel? Well, I'm working on it too. I'm dividing my time between the two tasks. I'm happy to report that I'm halfway through the sixth revision, which is going much faster and easier than the previous (It should since I've cleaned up much of the manuscript on previous iterations). I hope to pass it off to one or two beta readers sometime this week.
Now, the pictures: Me wearing the first mask I cast. This is obviously unpainted. A rough draft, if you will. This is the second sculpture I am currently working on. Keep in mind, it's still a work in progress.
As you can see, I'm going for an evil clown look. Who doesn't love an evil clown? I've taken pictures of the first sculpture and Photoshopped various makeup patterns that I am considering using. I tested my new airbrush setup on the first mask I made and wasn't very happy with the results. Maybe it's my naivete with the airbrush and silicone paint, but the white I sprayed on came out glossy. I don't want glossy. I'm glad I tested it on a rough mask first. I went out and bought some grease paint from Party City and plan to test that on the same test mask. Hopefully, it will come out the way I intend. As for the airbrush and silicone paint, well, I guess I need to research that method of painting more to improve my technique and avoid the glossy shine.
In addition, I am considering punching the hair, but that might not work since time is running out and hand-punching hair takes forever. Also, I've yet to do it myself. Keep in mind, I've only learned to do this my watching tutorial videos on YouTube. I've seen other guys make mistakes and learned from them. Not only that, I've made my own and am learning from them, changing the way I work to avoid making those mistakes again.
If you're reading this and wondering, Hey, what about your novel? Well, I'm working on it too. I'm dividing my time between the two tasks. I'm happy to report that I'm halfway through the sixth revision, which is going much faster and easier than the previous (It should since I've cleaned up much of the manuscript on previous iterations). I hope to pass it off to one or two beta readers sometime this week.
Now, the pictures: Me wearing the first mask I cast. This is obviously unpainted. A rough draft, if you will. This is the second sculpture I am currently working on. Keep in mind, it's still a work in progress.
Saturday, July 9, 2011
Editing, editing, and little new writing
It's been a while since my last post because I've been busy. During the previous week, my family took a college touring trip up the east coast to Maine. There was a lot of driving involved--3,300 miles worth--but, it was worth it. That might sound like a huge drag, but since I'd never visited any states north of Virginia, it was rather fun. Even driving in Manhattan during lunch time was an exciting experience. Let me just say that driving on the roads with NY cab drivers was like the wild, wild west! We saw several ivy-league colleges, ate in some fine restaurants, and saw some beautiful parts of the country.
Now that I've returned, I worked on a novel that I had put aside while driving up the east coast. All was going well for a while and then I hit a brick wall. I didn't necessarily get writer's block because I can still write. I just ran out of logical ideas for the point I reached in the story line. I have the majority of the story outlined, but there is one part in the middle where the details are fuzzy. Well, that just so happens to be where everything petered out. I've put the story aside for now while I brainstorm to come up with more ideas to drag the story out of the mud it seems to be caught in.
I had a novel idea during the trip that I had to get out of bed to write down. I think it will make a great book and can't wait to get around to outlining the plot. Another cool aspect of this story is that I had the idea while I was in Maine. We were listening to The Green Mile in the car, too. My idea is a similar style to how Stephen King tells his story. Anyway, time will tell if I can pull off execution of that story.
My wife recently finished reading my hit man novel. She's the second beta reader to have finished it and now I'm excited to finally get back to revising any mistakes and plot holes. It's also a daunting task. Printed, the book is nearly 300 pages. Today, I managed to revise almost 50 pages. At this rate, it'll be a while before I'm ready to hand it to the next group of beta readers to get their input.
In other, non-writing, news, I'm on the Atkins diet. I started a week before our trip and lost nearly 11 pounds. During the trip, I cheated when we reached Newark, DE and ate at Catherine Rooney's, which is an Irish pub. I couldn't resist not having a Guinness there. Also, I wanted to have some delicious seafood in Maine. In all, I gained 2 pounds during the trip, so that's not too bad. Since returning home and resuming my diet, I've lost an additional 6 pounds. So far, so good.
That's all I've got to report for now. Hopefully, some idea will come to me for the current novel I'm writing. Until next time, I'll continue being good on my diet and editing the hit man novel.
Now that I've returned, I worked on a novel that I had put aside while driving up the east coast. All was going well for a while and then I hit a brick wall. I didn't necessarily get writer's block because I can still write. I just ran out of logical ideas for the point I reached in the story line. I have the majority of the story outlined, but there is one part in the middle where the details are fuzzy. Well, that just so happens to be where everything petered out. I've put the story aside for now while I brainstorm to come up with more ideas to drag the story out of the mud it seems to be caught in.
I had a novel idea during the trip that I had to get out of bed to write down. I think it will make a great book and can't wait to get around to outlining the plot. Another cool aspect of this story is that I had the idea while I was in Maine. We were listening to The Green Mile in the car, too. My idea is a similar style to how Stephen King tells his story. Anyway, time will tell if I can pull off execution of that story.
My wife recently finished reading my hit man novel. She's the second beta reader to have finished it and now I'm excited to finally get back to revising any mistakes and plot holes. It's also a daunting task. Printed, the book is nearly 300 pages. Today, I managed to revise almost 50 pages. At this rate, it'll be a while before I'm ready to hand it to the next group of beta readers to get their input.
In other, non-writing, news, I'm on the Atkins diet. I started a week before our trip and lost nearly 11 pounds. During the trip, I cheated when we reached Newark, DE and ate at Catherine Rooney's, which is an Irish pub. I couldn't resist not having a Guinness there. Also, I wanted to have some delicious seafood in Maine. In all, I gained 2 pounds during the trip, so that's not too bad. Since returning home and resuming my diet, I've lost an additional 6 pounds. So far, so good.
That's all I've got to report for now. Hopefully, some idea will come to me for the current novel I'm writing. Until next time, I'll continue being good on my diet and editing the hit man novel.
Saturday, June 18, 2011
A motivational moment
I've recently gone back and perused J.A. Konrath's older blog posts on his Newbie's Guide to Publishing. If you're an indie author and haven't read Konrath's blog, I highly recommend doing so, otherwise, you're missing out on some great information.
During my reading, I've come across several posts where he talks candidly about the emotions new authors experience when they first start out in this business. It's refreshing to know that I'm not alone in my self-doubt and frustration. Nor am I alone in my obsessive tendencies to Google my name and check my sales stats on my various distributors' websites repeatedly throughout the day. While these affirmations are nice, the most valuable insights are learning from his experiences with self-promotion.
While I'm ignorant about advertising and marketing, it's nice to know I can go somewhere to learn from someone else's mistakes and successes. Especially, someone who is succeeding in the field of writing. More often that not, when I feel depressed about my low sales, feel like I'm a voice quacking in the void, or that I'm just another face in crowd, I can read Joe's posts and begin to feel better about the things I am doing, gain a sense of motivation, and know I need to stay the course.
During my reading, I've come across several posts where he talks candidly about the emotions new authors experience when they first start out in this business. It's refreshing to know that I'm not alone in my self-doubt and frustration. Nor am I alone in my obsessive tendencies to Google my name and check my sales stats on my various distributors' websites repeatedly throughout the day. While these affirmations are nice, the most valuable insights are learning from his experiences with self-promotion.
While I'm ignorant about advertising and marketing, it's nice to know I can go somewhere to learn from someone else's mistakes and successes. Especially, someone who is succeeding in the field of writing. More often that not, when I feel depressed about my low sales, feel like I'm a voice quacking in the void, or that I'm just another face in crowd, I can read Joe's posts and begin to feel better about the things I am doing, gain a sense of motivation, and know I need to stay the course.
Sunday, February 27, 2011
Waiting is the hardest part...
Okay, so it's been nearly half a month since my last post in which I said I was submitting short stories. I'm pleased to say they are out at the respectable publishers I chose to send them to and now I am anxiously awaiting word from the editors. I'm keeping my fingers crossed that at least one will be accepted. But, of course, it would be great if they all received acceptance.
I think I said in my last post that I was submitting two stories, but since then I sent out yet another. So, there are three out making the rounds instead of just two. It's been a while since I've submitted anything and I forgot how frightening and, at the same time, exciting it is to await the editors' responses. Hopefully, I will have good news to post soon concerning any feedback. If, that is, I haven't worried myself into a knot.
I think I said in my last post that I was submitting two stories, but since then I sent out yet another. So, there are three out making the rounds instead of just two. It's been a while since I've submitted anything and I forgot how frightening and, at the same time, exciting it is to await the editors' responses. Hopefully, I will have good news to post soon concerning any feedback. If, that is, I haven't worried myself into a knot.
Tuesday, October 26, 2010
NaNoWriMo is afoot
As a writer you'd of thought I would have participated in NaNoWriMo. You'd be mistaken.
I've never participated in the National November Writing Month marathon because I felt like it was more or less for writers without the discipline to force themselves to sit in the chair and perform a brain dump of that story rattling around in their head.
It wasn't until my friend, and fellow writer, mentioned that he was thinking of participating that I seriously considered whether I would participate too. I mean, it's been several years since I set foot on the path of the writer and I've learned a hell of a lot along the way (and still have So much to learn). I've weathered several years of NaNoWriMo without succumbing to the peer pressure of feeling that I should participate. However, all of that's about to change.
I know my last post said that my foreseeable writing life would be mainly editing, but this is a temptation I guess I can't pass up. When my friend and I discussed it, my mind immediately shifted into overdrive trying to come up with a good story. I came up with something. Something that I'm still trying to flesh out in various text files to use as road maps when I begin writing.
I don't want to give away too much, but I'll say this...I've been toying with the idea of beginning a series centered around a private dick. What can I say, I dream of being the next Raymond Chandler! So, there's P.I. at its center. Second, drawing on my horror background, I knew I wanted something that tapped into the reader's fear. Well, I think it's safe to say that clowns fill the bill in that majority without crossing over into the supernatural.
That's all I want to say for now, in order not to give away too much. So, if you like crime fiction and want the added scare of the antagonist being a clown (read and you'll see how this all fits together).
[long undocumented break]
Okay, I realized (after a long interjection and unrelated subject matter from my wife) that that is all I have to say on this subject...except with sporadic updates during the month on my progress, so stay tuned!
I've never participated in the National November Writing Month marathon because I felt like it was more or less for writers without the discipline to force themselves to sit in the chair and perform a brain dump of that story rattling around in their head.
It wasn't until my friend, and fellow writer, mentioned that he was thinking of participating that I seriously considered whether I would participate too. I mean, it's been several years since I set foot on the path of the writer and I've learned a hell of a lot along the way (and still have So much to learn). I've weathered several years of NaNoWriMo without succumbing to the peer pressure of feeling that I should participate. However, all of that's about to change.
I know my last post said that my foreseeable writing life would be mainly editing, but this is a temptation I guess I can't pass up. When my friend and I discussed it, my mind immediately shifted into overdrive trying to come up with a good story. I came up with something. Something that I'm still trying to flesh out in various text files to use as road maps when I begin writing.
I don't want to give away too much, but I'll say this...I've been toying with the idea of beginning a series centered around a private dick. What can I say, I dream of being the next Raymond Chandler! So, there's P.I. at its center. Second, drawing on my horror background, I knew I wanted something that tapped into the reader's fear. Well, I think it's safe to say that clowns fill the bill in that majority without crossing over into the supernatural.
That's all I want to say for now, in order not to give away too much. So, if you like crime fiction and want the added scare of the antagonist being a clown (read and you'll see how this all fits together).
[long undocumented break]
Okay, I realized (after a long interjection and unrelated subject matter from my wife) that that is all I have to say on this subject...except with sporadic updates during the month on my progress, so stay tuned!
Wednesday, October 6, 2010
What the???
I know, I know. Two posts in one day? What the hell am I thinking, huh?
Just wanted to say that the first draft of my short story (mentioned in the previous post) is complete. It's tentatively titled FETCH. It's the longest short story I've ever written. Hopefully it's entertaining. I think so, but I'll have to wait until I go back to read it over to see if that's the case. Stay tuned.
Just wanted to say that the first draft of my short story (mentioned in the previous post) is complete. It's tentatively titled FETCH. It's the longest short story I've ever written. Hopefully it's entertaining. I think so, but I'll have to wait until I go back to read it over to see if that's the case. Stay tuned.
Wrapping things up...
I've completed the website redesign and have moved closer to finishing the first draft of a new short story (which I should finish after this blog post). I've gotten to a point where I can see light at the end of the tunnel with my second novel's first draft. There are some notes I made while writing it where I noticed that I broke the story's continuity and discovered a change in the beginning that would be more compelling to the story overall.
I've set the novel writing aside in order to write the short story, but I plan to resume the novel writing tomorrow or Friday. I'm excited about the story's potential, but I know I face and arduous editing process. For those of you who keep up with word counts and page numbers, I'm currently at 56 thousand words and 249 pages. Keep in mind I'm still working on it. While the word count is very low for what I usually write, it should go up when I go back and add the pieces from my notes. Also, I didn't go into much character or scene description during this first pass as I just wanted to get the story from my head to the page. I'll flesh out the descriptive stuff during the editing process, after I have a chance to see the forest for the trees. That's the part I love the best: re-reading my work to see what the story "feels" like from a distance.
Also, if that page number sounds high for such a low word count, know that I write all my stories using the standard manuscript format, even first drafts. So, I have double-spaced lines and I use Courier New font with one inch margins.
So, there you have it, where I'm currently at with my work. A second novel's first draft nearly finished, a first novel's initial draft waiting for editing, and a short story that will soon enter the edit process, too. In my future is much editing, a process I don't like, but necessary nonetheless.
I'll probably break up the monotony of so much editing with writing some more short stories--there's always a supply of short story ideas waiting in the wings that want to be written. The good thing is that their creative process is much shorter than a novel's, so that's appealing. I'm already putting together a list of markets where I want to submit the short story.
Stay tuned to find out how things work out. So far, I've got one story published in a commercial magazine. Let's see if I can carve more notches in my keyboard.
I've set the novel writing aside in order to write the short story, but I plan to resume the novel writing tomorrow or Friday. I'm excited about the story's potential, but I know I face and arduous editing process. For those of you who keep up with word counts and page numbers, I'm currently at 56 thousand words and 249 pages. Keep in mind I'm still working on it. While the word count is very low for what I usually write, it should go up when I go back and add the pieces from my notes. Also, I didn't go into much character or scene description during this first pass as I just wanted to get the story from my head to the page. I'll flesh out the descriptive stuff during the editing process, after I have a chance to see the forest for the trees. That's the part I love the best: re-reading my work to see what the story "feels" like from a distance.
Also, if that page number sounds high for such a low word count, know that I write all my stories using the standard manuscript format, even first drafts. So, I have double-spaced lines and I use Courier New font with one inch margins.
So, there you have it, where I'm currently at with my work. A second novel's first draft nearly finished, a first novel's initial draft waiting for editing, and a short story that will soon enter the edit process, too. In my future is much editing, a process I don't like, but necessary nonetheless.
I'll probably break up the monotony of so much editing with writing some more short stories--there's always a supply of short story ideas waiting in the wings that want to be written. The good thing is that their creative process is much shorter than a novel's, so that's appealing. I'm already putting together a list of markets where I want to submit the short story.
Stay tuned to find out how things work out. So far, I've got one story published in a commercial magazine. Let's see if I can carve more notches in my keyboard.
Saturday, June 19, 2010
Jealousy and inadequacy, fuel for the fire?
I'm not sure if the title completely captures my feelings on the following subject, but these were the first two words that seemed to come to mind.
My wife subscribes to Entertainment Weekly. She left a recent copy lying on my side of our bed, opened to a review of a new novel.
"What's this doing here?" I asked.
"I wanted you to read that," she said.
I picked up the foled magazine and read a review of The Passage. Now, I saw several mentions of this novel on some headlines feeds I subscribe to. The headlines I glanced at mentioned that this was a hot new book, a breakout hit, etc., but I thought nothing of it at the time. I mean, c'mon, there's always some breakout hits, right?
Well, I read the review, which also summarized the plot. At first, I felt jealous, and then I felt, maybe not inadequate, but defeated, as if I was late to the party or something. The reason I had this latter reaction was because this plot sounded similar to a novel plot I came up with a couple of months ago. I usually run all my story ideas by my wife who, as a college English professor and well-read individual, I listen to very closely.
She thought there was enough similarity in our plots that she wanted me to see this book's reception since it was released. The reception was obviously very good. I mean, when a relatively unknown author has a breakout book that receives a lot of positive praise and a seven-figure deal, well, who wouldn't be jealous, right? The defeat I felt was that his book began with some political overtones that captured the present, which is the same as my idea. However, in The Passage there is a span of time (said to be a century in the review) that elapses in the story. Mine doesn't have this.
Another similarity is that there are zombies. Well, maybe that's a vague term. In mine there are people that can be classified loosley as zombies based on something integral to the plot. In The Passage these creatures aren't necessarily zombies but "viral" vampires? Whatever that is, it sounds like it may be close to zombies and I've actually heard someone say the resemblance is close.
To get back on topic, I couldn't help but feel like someone had beaten me to the punch of what my story was about. Now, like I've said, I haven't read this book. And I probably won't as I don't want to take anything from it when I end up writing my own story. But, I fully intend to go ahead and write my story once I finish writing my southern gothic tale. The story I have in mind feels like something unique and very interesting, so I'd be a fool not to write it.
I'm just saddened that while I'm in the middle of writing one story and sitting on another great idea, another writer has stumbled upon some aspects of my plot and beaten me to the punch (or publisher) with it.
My wife subscribes to Entertainment Weekly. She left a recent copy lying on my side of our bed, opened to a review of a new novel.
"What's this doing here?" I asked.
"I wanted you to read that," she said.
I picked up the foled magazine and read a review of The Passage. Now, I saw several mentions of this novel on some headlines feeds I subscribe to. The headlines I glanced at mentioned that this was a hot new book, a breakout hit, etc., but I thought nothing of it at the time. I mean, c'mon, there's always some breakout hits, right?
Well, I read the review, which also summarized the plot. At first, I felt jealous, and then I felt, maybe not inadequate, but defeated, as if I was late to the party or something. The reason I had this latter reaction was because this plot sounded similar to a novel plot I came up with a couple of months ago. I usually run all my story ideas by my wife who, as a college English professor and well-read individual, I listen to very closely.
She thought there was enough similarity in our plots that she wanted me to see this book's reception since it was released. The reception was obviously very good. I mean, when a relatively unknown author has a breakout book that receives a lot of positive praise and a seven-figure deal, well, who wouldn't be jealous, right? The defeat I felt was that his book began with some political overtones that captured the present, which is the same as my idea. However, in The Passage there is a span of time (said to be a century in the review) that elapses in the story. Mine doesn't have this.
Another similarity is that there are zombies. Well, maybe that's a vague term. In mine there are people that can be classified loosley as zombies based on something integral to the plot. In The Passage these creatures aren't necessarily zombies but "viral" vampires? Whatever that is, it sounds like it may be close to zombies and I've actually heard someone say the resemblance is close.
To get back on topic, I couldn't help but feel like someone had beaten me to the punch of what my story was about. Now, like I've said, I haven't read this book. And I probably won't as I don't want to take anything from it when I end up writing my own story. But, I fully intend to go ahead and write my story once I finish writing my southern gothic tale. The story I have in mind feels like something unique and very interesting, so I'd be a fool not to write it.
I'm just saddened that while I'm in the middle of writing one story and sitting on another great idea, another writer has stumbled upon some aspects of my plot and beaten me to the punch (or publisher) with it.
Saturday, March 20, 2010
I'm going to be published. It's been an arduous journey.
I mentioned in my news feed earlier in the month that I was going to be published in Shroud Magazine. My story, Hush, Hush My Love, will be in the 9th issue. That means it will probably be out this summer. If you haven't heard of Shroud, and you're a fan of horror and dark fiction, I urge you to get a subscription to this magazine. The editor, Tim Deal, is a really nice guy and puts together a top-quality magazine. It's definitely worth getting a subscription. Also, I want to share my story with you, so even if I can't persuade you to buy a subscription, at least buy the 9th issue. I'm sure you'll find that your money was well spent.
I just want to say that this news has put me over the moon. I've received a substantial number of rejections. I've entered stories into contests, sent them to all the magazines that I think would enjoy them and received only rejection. In retrospect, I think some of the stories I submitted deserved rejection. I was more naive early on, and now that I've learned a lot and my writing's matured more (although, it still has more maturing to do), I can look at those earlier stories with a more critical eye. I see why they didn't work at the time. For some of them, the story was weak or cliche. My dialogue was not up to par. Even though some (only a few, mind you) of those stories received a warm welcome from my first readers, the editors at the various magazines where I sent them thought otherwise. So, for Tim to send me an acceptance letter was a welcome relief.
I'm very happy with the story, too. It's called Hush, Hush My Love. Like most of my stories, this one came out of nowhere. But, unlike the rest of my stories, this one had some hypnotising quality to it. Thinking back to the writing process, it almost seems mystical, like I can't quite identify why this story, among all of the ones before it, should stand out in my mind so. If I could put my finger on the aspect that makes it stand out from the rest, I'd try to harness that ability so I could write nothing but publishable stories. But, unfortunately, that's not the way the writing process is. Even the big names write stinkers from time to time.
I guess it's just a sign that says my writing is getting better. It doesn't mean I won't write stories that are bad. I think it just means that I'll write fewer stinkers; the ratio of good to bad is finally beginning to shift. I hope you'll pick up a copy of Shroud Magazine's 9th issue and read my story. If you like it (or even if you don't), I'd appreciate you leaving me some feedback on my website.
I just want to say that this news has put me over the moon. I've received a substantial number of rejections. I've entered stories into contests, sent them to all the magazines that I think would enjoy them and received only rejection. In retrospect, I think some of the stories I submitted deserved rejection. I was more naive early on, and now that I've learned a lot and my writing's matured more (although, it still has more maturing to do), I can look at those earlier stories with a more critical eye. I see why they didn't work at the time. For some of them, the story was weak or cliche. My dialogue was not up to par. Even though some (only a few, mind you) of those stories received a warm welcome from my first readers, the editors at the various magazines where I sent them thought otherwise. So, for Tim to send me an acceptance letter was a welcome relief.
I'm very happy with the story, too. It's called Hush, Hush My Love. Like most of my stories, this one came out of nowhere. But, unlike the rest of my stories, this one had some hypnotising quality to it. Thinking back to the writing process, it almost seems mystical, like I can't quite identify why this story, among all of the ones before it, should stand out in my mind so. If I could put my finger on the aspect that makes it stand out from the rest, I'd try to harness that ability so I could write nothing but publishable stories. But, unfortunately, that's not the way the writing process is. Even the big names write stinkers from time to time.
I guess it's just a sign that says my writing is getting better. It doesn't mean I won't write stories that are bad. I think it just means that I'll write fewer stinkers; the ratio of good to bad is finally beginning to shift. I hope you'll pick up a copy of Shroud Magazine's 9th issue and read my story. If you like it (or even if you don't), I'd appreciate you leaving me some feedback on my website.
Reading outside of your genre
Most writers have probably heard that to improve their craft they should read widely, even outside of their genre. While there are many who do this without hesitation, there are some who find it painful to venture beyond the comfort zones of their favorite genre. In the past, I was also guilty of this latter habit.
My favorite genre has always been horror. My bookshelf had no diversity among the authors that sat atop the shelves. One would only have to look at my titles to see that Stephen King was my favorite author. I had heard the advice to read widely and avoided doing so. Eventually, I received some books a friend was throwing out. While sifting through the boring non-fiction titles in the pile, I came across some John Grisham books. I knew he had a reputation for writing novels about lawyers. While this did not appeal to me in the least (I have a distaste for lawyers, which is a long story in itself), I took them anyway. Who would turn down free books, right? The two Grisham books I took with me were, King of Torts and A Painted House. One night, after having finished yet another Stephen King book and feeling like reading something very different, I scanned the books in my queue and saw A Painted House. I pulled it from the shelf and began reading it.
Never have a enjoyed a book so much! I was delighted to find that John Grisham had written a superb non-lawyer novel. It was like a revelation to me. After finishing that book, I read Harper Lee's To Kill A Mockingbird. Yet another great book that I should've read in high school but didn't due to ignorant stubbornness. Since then, I've gone back and read many more classics that I never enjoyed when I was younger. I have also extended my tastes, purchasing books from so many different genres. From satirical to crime/drama to literary. Recently, I read Cormac McCarthy's No Country For Old Men after watching the movie and found the book, as thin as it is, to be a gem of a story.
To look at my bookshelves now, one would see a very diverse landscape of book titles. I find myself looking back on the various genres with an extreme sense of joy. I've knocked down the walls of my favorite genre, left the narrow confines of the comfortable and walked into the daylight, experienced the really great and the awful. My writing has begun to reflect changes from the new experiences I've had when reading authors like McCarthy, Bradbury, Huxley, Orwell, and Faulkner, to name a few. I've seen how more notable authors handle character development, desciption, dialogue, pacing, themes, symbolism, and mood. It helps me identify the flaws in my own work and that of other writers.
Since this epiphany, I no longer find myself in Barnes & Noble, scrounging among the familiar aisle searching for quality horror novels. Instead, I walk down the unfamiliar aisles, scanning book titles and covers for something intriguing. I read the back cover and, if it sounds at all interesting, I find myself buying books by authors I may have only vaguely heard about in the past, if at all. Most times, I'm satisfied with the new books I choose and the story they have to tell. Other, less often times, I find that what I've read was disappointing or outright horrible. But, even these bad books have their own lessons; mainly, how not to do something.
When meeting new writers, I like to discover who their influences were and how widely they read. More often than not, I learn that they only read a certain genre and are hesitant to venture outside of it. While I can certainly understand this hesitation and apprehension, I try to encourage them to break out of that habit. Sure, you can learn how other successful writers in a genre do things. You can even see what's been done to exhaustion and steer clear of those pitfalls, but to not expose yourself to the other stories out there is to rob yourself of an excellent writing education. Reading such diverse material will shed light on new techniques that can enrich your writing and strengthen the skills you, as a writer, bring into your stories.
So, if you're one of those new writers flailing in a shallow puddle trying to learn to swim, let me implore you to come over to the ocean of diverse literature. Wade in. The water's fine. Really, it is. And, I'm sure you'll learn plenty.
My favorite genre has always been horror. My bookshelf had no diversity among the authors that sat atop the shelves. One would only have to look at my titles to see that Stephen King was my favorite author. I had heard the advice to read widely and avoided doing so. Eventually, I received some books a friend was throwing out. While sifting through the boring non-fiction titles in the pile, I came across some John Grisham books. I knew he had a reputation for writing novels about lawyers. While this did not appeal to me in the least (I have a distaste for lawyers, which is a long story in itself), I took them anyway. Who would turn down free books, right? The two Grisham books I took with me were, King of Torts and A Painted House. One night, after having finished yet another Stephen King book and feeling like reading something very different, I scanned the books in my queue and saw A Painted House. I pulled it from the shelf and began reading it.
Never have a enjoyed a book so much! I was delighted to find that John Grisham had written a superb non-lawyer novel. It was like a revelation to me. After finishing that book, I read Harper Lee's To Kill A Mockingbird. Yet another great book that I should've read in high school but didn't due to ignorant stubbornness. Since then, I've gone back and read many more classics that I never enjoyed when I was younger. I have also extended my tastes, purchasing books from so many different genres. From satirical to crime/drama to literary. Recently, I read Cormac McCarthy's No Country For Old Men after watching the movie and found the book, as thin as it is, to be a gem of a story.
To look at my bookshelves now, one would see a very diverse landscape of book titles. I find myself looking back on the various genres with an extreme sense of joy. I've knocked down the walls of my favorite genre, left the narrow confines of the comfortable and walked into the daylight, experienced the really great and the awful. My writing has begun to reflect changes from the new experiences I've had when reading authors like McCarthy, Bradbury, Huxley, Orwell, and Faulkner, to name a few. I've seen how more notable authors handle character development, desciption, dialogue, pacing, themes, symbolism, and mood. It helps me identify the flaws in my own work and that of other writers.
Since this epiphany, I no longer find myself in Barnes & Noble, scrounging among the familiar aisle searching for quality horror novels. Instead, I walk down the unfamiliar aisles, scanning book titles and covers for something intriguing. I read the back cover and, if it sounds at all interesting, I find myself buying books by authors I may have only vaguely heard about in the past, if at all. Most times, I'm satisfied with the new books I choose and the story they have to tell. Other, less often times, I find that what I've read was disappointing or outright horrible. But, even these bad books have their own lessons; mainly, how not to do something.
When meeting new writers, I like to discover who their influences were and how widely they read. More often than not, I learn that they only read a certain genre and are hesitant to venture outside of it. While I can certainly understand this hesitation and apprehension, I try to encourage them to break out of that habit. Sure, you can learn how other successful writers in a genre do things. You can even see what's been done to exhaustion and steer clear of those pitfalls, but to not expose yourself to the other stories out there is to rob yourself of an excellent writing education. Reading such diverse material will shed light on new techniques that can enrich your writing and strengthen the skills you, as a writer, bring into your stories.
So, if you're one of those new writers flailing in a shallow puddle trying to learn to swim, let me implore you to come over to the ocean of diverse literature. Wade in. The water's fine. Really, it is. And, I'm sure you'll learn plenty.
Saturday, January 30, 2010
Giving this another go!
I've been away too long from my blog, and from my writing for that matter. I recently got another job, after being unemployed for over a year. Although, I must admit, it was a wonderful year of sleeping in and reading books late into the night. My only regret is that I didn't use my days wisely to accomplish more writing than I did.
Since starting my new job (I've only been there a week), I haven't sat down to write anything and it really makes me want to kick myself. I promised myself that I would sit down this weekend to write. Of course, I've done that in the past and wasted my opportunity because I ended up watching a movie or playing a game instead of writing. Not today, though! Today has been a wet and dreary day outside. Oh, and also cold. Can't forget to mention the winter storm that supposed to be bearing down on us.
Well, I got online and visited some author sites to build my motivation. Actually, my motivation was pretty much piqued already, but it never hurts to read motivational words from other (successful) authors. So, I went to Dennis Lehane, Elmore Leonard, and Cormac McCarthy's websites and browsed for a little bit. Then, before I could let the procrastination bug bite me, I closed my browser and opened my editor. I started close to one o'clock this afternoon.
I worked on the first draft of a short story I started yesterday called Help Wanted. I had only written four pages previously. I finished the first draft today and it came in at a whopping 20+ pages! When I finished it, I opened another short story I had started earlier called Swiftly, the End Cometh. I only had one written page to begin with, but now that I've finished, it's well over ten. I know, that doesn't seem like much, but I looked at the clock when I finished writing and saw that it was almost 6:00 PM.
THAT'S A LOT OF WRITING, PEOPLE! Well, for me at least. Especially, in one day. And now look at this. I'm blogging, which means that I'm writing even more. I've been bitten by the writing bug and damn it feels good!
Okay, that's enough for today. I just wanted to write for any readers out there to let you know that if you make yourself sit down to write (even when you don't want to) you can accomplish a lot of writing. The key is making yourself do it.
One last thing, which I just discovered: my foot's asleep! Argh!
Since starting my new job (I've only been there a week), I haven't sat down to write anything and it really makes me want to kick myself. I promised myself that I would sit down this weekend to write. Of course, I've done that in the past and wasted my opportunity because I ended up watching a movie or playing a game instead of writing. Not today, though! Today has been a wet and dreary day outside. Oh, and also cold. Can't forget to mention the winter storm that supposed to be bearing down on us.
Well, I got online and visited some author sites to build my motivation. Actually, my motivation was pretty much piqued already, but it never hurts to read motivational words from other (successful) authors. So, I went to Dennis Lehane, Elmore Leonard, and Cormac McCarthy's websites and browsed for a little bit. Then, before I could let the procrastination bug bite me, I closed my browser and opened my editor. I started close to one o'clock this afternoon.
I worked on the first draft of a short story I started yesterday called Help Wanted. I had only written four pages previously. I finished the first draft today and it came in at a whopping 20+ pages! When I finished it, I opened another short story I had started earlier called Swiftly, the End Cometh. I only had one written page to begin with, but now that I've finished, it's well over ten. I know, that doesn't seem like much, but I looked at the clock when I finished writing and saw that it was almost 6:00 PM.
THAT'S A LOT OF WRITING, PEOPLE! Well, for me at least. Especially, in one day. And now look at this. I'm blogging, which means that I'm writing even more. I've been bitten by the writing bug and damn it feels good!
Okay, that's enough for today. I just wanted to write for any readers out there to let you know that if you make yourself sit down to write (even when you don't want to) you can accomplish a lot of writing. The key is making yourself do it.
One last thing, which I just discovered: my foot's asleep! Argh!
Thursday, January 7, 2010
Away too long...but I'm back!
In my last blog, I spoke about perseverance being the most important thing to aspiring writers. I'm here today (after a lengthy hiatus) to reiterate and drive home that point!
It is with a heavy heart that I must return to the land of the 9-to-5ers. Due to certain circumstances, my time spent at home working on my short stories and novels has come to an end. I must return to work in order to pay down some bills like most normal people. For me, that means returning to an office environment where I will program computers. I know, I know. There are those of you who might read this and think an office job? when you work outdoors or in too-cold or too-hot warehouse jobs that think I'm a big whiny baby. Well, believe me when I tell you, it's not as nice as you think! I've worked in warehouses and outside during the summer and winter, and I can sympathize with you. I'd return to one of those jobs again if the money was there, unfortunately friends, it ain't!
Sure, the money for programming computers is really nice and you don't have to lift heavy things all day. Hell, you don't get dirty doing it and you get to sit down while you work. All of that is gravy...so why am I bitching about it? Because of two things: first, I am a writer (preferably novels and stories instead of computer code) and this is far from the writing I want to do; and second, office politics! Yes, office politics is the bane in the mix, which destroys the enjoyment of all the aforementioned benefits. I know, I've run into again and again.
When starting a new office job, it's usually really nice. The new people you meet are usually nice because you're new and they're feeling you out. Your workload is fairly light, until they determine how capable you are of doing the job. You're enlightened by the large paychecks you're receiving to start filling that dwindling checking account and hold the creditors at bay.
But, then the happy sunlight is obscured by dark clouds as those happy friendly people start turning sour. Your workload increases because they realize what a good worker you are. Others around you slack off and get you to do their work for them by complaining that their stuff doesn't work and it's your fault. Yes, that stuff actually happened to me at my last job. It was great at first, but after having been there for a couple of years and learning the ins and outs of the business, everyone around me began to pass the blame when something went wrong. Where did the blame end up, you ask? Why, with the programmers, of course. So, I am not happy at all by the notion that I must return to that cut-throat environment. I'd rather work in a warehouse or at a fastfood restaurant if the money was there, but it's not, as I've said.
So, back to my driving home the importance of perseverance. I felt myself getting quite depressed with the notion that I had to cut back my writing and begin mingling with the daytime workforce again. Not to mention, I received some rejections between Christmas and New Years for some stories that I thought were exceptional. A voice inside me said, You'll never make it as a writer now! This will suck out all of your motivation to write. That thought scared the hell out of me and when I whined to my wife about being a failure, about the publishing industry being a tight-knit incestuous group that went above and beyond to keep out members, she looked at me sincerely and said that I was getting too worked up, taking my rejections personally and that I could still write.
I realized she was right. I was being too over dramatic. I had cast aside my own advice to other writers. I reread my last blog and vowed that I would not give up my endeavor to continue writing and see my work through to publication. And, I want this to be a prime example to anyone who reads this and feels that they want to give up, that they just can't make it. DON'T QUIT NOW! KEEP GOING, PERSEVERING! Eventually, you'll make it. The climb to the top of writing success is steep and arduous. Persevere.
It is with a heavy heart that I must return to the land of the 9-to-5ers. Due to certain circumstances, my time spent at home working on my short stories and novels has come to an end. I must return to work in order to pay down some bills like most normal people. For me, that means returning to an office environment where I will program computers. I know, I know. There are those of you who might read this and think an office job? when you work outdoors or in too-cold or too-hot warehouse jobs that think I'm a big whiny baby. Well, believe me when I tell you, it's not as nice as you think! I've worked in warehouses and outside during the summer and winter, and I can sympathize with you. I'd return to one of those jobs again if the money was there, unfortunately friends, it ain't!
Sure, the money for programming computers is really nice and you don't have to lift heavy things all day. Hell, you don't get dirty doing it and you get to sit down while you work. All of that is gravy...so why am I bitching about it? Because of two things: first, I am a writer (preferably novels and stories instead of computer code) and this is far from the writing I want to do; and second, office politics! Yes, office politics is the bane in the mix, which destroys the enjoyment of all the aforementioned benefits. I know, I've run into again and again.
When starting a new office job, it's usually really nice. The new people you meet are usually nice because you're new and they're feeling you out. Your workload is fairly light, until they determine how capable you are of doing the job. You're enlightened by the large paychecks you're receiving to start filling that dwindling checking account and hold the creditors at bay.
But, then the happy sunlight is obscured by dark clouds as those happy friendly people start turning sour. Your workload increases because they realize what a good worker you are. Others around you slack off and get you to do their work for them by complaining that their stuff doesn't work and it's your fault. Yes, that stuff actually happened to me at my last job. It was great at first, but after having been there for a couple of years and learning the ins and outs of the business, everyone around me began to pass the blame when something went wrong. Where did the blame end up, you ask? Why, with the programmers, of course. So, I am not happy at all by the notion that I must return to that cut-throat environment. I'd rather work in a warehouse or at a fastfood restaurant if the money was there, but it's not, as I've said.
So, back to my driving home the importance of perseverance. I felt myself getting quite depressed with the notion that I had to cut back my writing and begin mingling with the daytime workforce again. Not to mention, I received some rejections between Christmas and New Years for some stories that I thought were exceptional. A voice inside me said, You'll never make it as a writer now! This will suck out all of your motivation to write. That thought scared the hell out of me and when I whined to my wife about being a failure, about the publishing industry being a tight-knit incestuous group that went above and beyond to keep out members, she looked at me sincerely and said that I was getting too worked up, taking my rejections personally and that I could still write.
I realized she was right. I was being too over dramatic. I had cast aside my own advice to other writers. I reread my last blog and vowed that I would not give up my endeavor to continue writing and see my work through to publication. And, I want this to be a prime example to anyone who reads this and feels that they want to give up, that they just can't make it. DON'T QUIT NOW! KEEP GOING, PERSEVERING! Eventually, you'll make it. The climb to the top of writing success is steep and arduous. Persevere.
Tuesday, November 17, 2009
Perseverance: The most important word for authors
I've been struggling with demons lately. Of those demons, the worst has been procrastination. I find myself waking in the morning, vowing to accomplish a lot of work on my novel during the day. Instead, I find myself planted in front of the computer reading blogs by literary agents and editors about the publishing industry. I tell myself that I'm not wasting time because I need to know what's going on in the publishing industry. When I get off the computer, I pace through the house, looking for things to do. I might wash dishes, which is actually something that sucks if neglected. I eventually find myself sitting on the sofa, watching television or surfing through the channels to find something to watch. God knows that daytime television is an absolute waste of time to begin with because there's never anything worth watching anyway. Usually, I can pull myself away and plant my butt in front of my laptop to knock out some editing or to write a few pages. My goal is to edit/write 10 pages each day, but recently, that number has dwindled and I find myself compromising with a few pages, varying between 3 to 5 each day.
I'm losing my forward momentum and I realize that to stay on this path is the smooch of death. So, today I asked myself what was the problem. Why was I plagued with this monkey of procrastination on my back? I believe I've found the answer. When I wrote the first draft of my first novel, I made myself sit down and write 1,000 words everyday. During that time, I had days when I couldn't bring myself to reach my goal, let alone sit down in front of the computer. That's just life, we're not machines, after all. But, I also had a penalty system. If I missed a day, that meant that I had to double up the following day. I was pretty firm with myself about this and finished my first draft three months after starting it.
Now that I'm revising that first draft (I'm currently on the third revision) and working on the first draft of my second novel, I've found myself in a major procrastination rut. When I looked deeply at the cause, I realized that some of the problem arose from the blogs I've been reading. Most of the agents talk about certain elements that make a story sellable: intriguing plot, voice, style, believable dialog, rich characterization, visual settings and imagery, etc. I've since gone back and asked myself whether these elements were evident in my work. Feeling a boatload of self doubt, I find it intimidating to sit down and continue to embarrass myself at my laptop. Also, making repetitive passes through a mountain of pages to look at the dialog, characterization, etc. is such a daunting task that it takes the wind right out of my sails. I find myself without the motivation to continue.
Now that I've identified the problem, it seems that the only solution is to just persevere, to lower my head and charge into the task at hand. Internally, I feel as if I'm on a timeline with a quickly approaching deadline that I know I'll fail to meet. But rationally, I know there is no such deadline. My eagerness to sell and publish my first book is getting me worked up. Self doubt is playing into it as well, squashing my motivation. If I don't stop it now, this could be a never ending cycle. I guess this is what writer's block is like. I've heard many writers discuss about this problem, but have never experienced it myself until now. But, I know what I have to do.
When I finish this blog, I'll turn off the stupid TV and plant myself in front of my laptop, and like the Nike slogan says, just do it! I urge you to do the same.
I'm losing my forward momentum and I realize that to stay on this path is the smooch of death. So, today I asked myself what was the problem. Why was I plagued with this monkey of procrastination on my back? I believe I've found the answer. When I wrote the first draft of my first novel, I made myself sit down and write 1,000 words everyday. During that time, I had days when I couldn't bring myself to reach my goal, let alone sit down in front of the computer. That's just life, we're not machines, after all. But, I also had a penalty system. If I missed a day, that meant that I had to double up the following day. I was pretty firm with myself about this and finished my first draft three months after starting it.
Now that I'm revising that first draft (I'm currently on the third revision) and working on the first draft of my second novel, I've found myself in a major procrastination rut. When I looked deeply at the cause, I realized that some of the problem arose from the blogs I've been reading. Most of the agents talk about certain elements that make a story sellable: intriguing plot, voice, style, believable dialog, rich characterization, visual settings and imagery, etc. I've since gone back and asked myself whether these elements were evident in my work. Feeling a boatload of self doubt, I find it intimidating to sit down and continue to embarrass myself at my laptop. Also, making repetitive passes through a mountain of pages to look at the dialog, characterization, etc. is such a daunting task that it takes the wind right out of my sails. I find myself without the motivation to continue.
Now that I've identified the problem, it seems that the only solution is to just persevere, to lower my head and charge into the task at hand. Internally, I feel as if I'm on a timeline with a quickly approaching deadline that I know I'll fail to meet. But rationally, I know there is no such deadline. My eagerness to sell and publish my first book is getting me worked up. Self doubt is playing into it as well, squashing my motivation. If I don't stop it now, this could be a never ending cycle. I guess this is what writer's block is like. I've heard many writers discuss about this problem, but have never experienced it myself until now. But, I know what I have to do.
When I finish this blog, I'll turn off the stupid TV and plant myself in front of my laptop, and like the Nike slogan says, just do it! I urge you to do the same.
Tuesday, November 10, 2009
How do you separate yourself from the multitude of other writers?
With such fierce competition between the numerous aspiring authors trying to get their books published, every author should do what he/she can to make themselves stand out in a publisher's mind so that they will get the recognition they deserve. Now, I'm not going to say that you should pull silly gimicky tricks to make an editor notice your query letter among the heap they peruse daily. No. I'm talking about using your craft to get the attention of an editor. What I am going to say here is very importnant. These are things I've noticed just from reading what publishers produce and communicating with other writers. Frankly, some of it is appalling.
I like to say that seeking a publisher or literary agent is very similar to competing in American Idol. I say this because if you watch American Idol, there are hundreds of thousands of people who audition for that show. Out of that multitude, some actually have talent. The rest? Well, they're disillusioned individuals that think they have talent. Now, I can't sing. If I tried, people might pay me to stop! But rest assured, you won't see me in line to audition for that show. At least I know I can't sing, so there's no use in me trying. But what about all those idiots that stand in line, waiting to waste the judges' time? How can they not know that they suck? I mean, really! Well, I feel that many aspiring writers today are equivelant to these talentless asshats that tryout for AI and think they have talent. Of course, I believe that editors and agents are too professional to tell a horrible writer that they suck as candidly as Simon Cowell delivers the news point-blank. I think it would be a much different industry if editors/agents were so blunt.
I like to follow literary agents' and publishers' blogs to keep abreast of the industry and changes in it. Also, I try to follow some professional authors' blogs (not only because I enjoy what many of them have to say, but because they can teach me things about the craft of writing and the publishing industry). I even follow some of the unpublished writers. Now, the aspiring writers are the best, in my opinion, because they are like a yard stick by which I can measure myself against the competition. For instance, one writer said they were going to write four different stories for four different submission calls they heard about. Well, that's fine and dandy, but I've read quite a bit of this writer's previous stories and they all stank (again, my opinion--well, and a few of my friends' opinions as well). The writer in question comes across too brash, always trying to whip out a story like a switchblade in a streetfight. When a writer acts that hastily, usually their work suffers because of it. This writer is no exception. All it takes is to read this writer's work to see that spelling and grammatical mistakes go unchecked because the writer is too caught up in the daydream of being in print and hurries toward it without heed. As a writer, your work reveals a lot about you. Writers should not try to publish (or self-publish) a piece of work until it is as error free as possible. Otherwise, you come across sloppy and/or lazy.
I also find it embarrassing to correspond with other writers only to learn that their messages are peppered with misspellings or that the idea the writer tried to convey was jumbled and difficult to follow. As writers, we're supposed to be wordsmiths. Our vocation is using words to paint visual imagery to our readers, to efficiently and elegantly describe or convey something to those reading our prose. When I read an email or message from a fellow writer and I see ungrammatical text and the sender is telling me they write, have written, or better yet, are published, I can't help but roll my eyes and wonder whether they are just lying. I mean, what kind of agent or editor would represent such a sloppy, lazy person? I know you may be reading this and asking yourself where I get off thinking I'm God's gift to the reading world. Well, I don't want to come off sounding so high-handed, but goddamn it, someone needs to bring attention to this situation.
I read the work of a professional author recently (I won't mention any names, but this writer is fairly prolific) and I was amazed that a major publishing house represented this writer. I actually thought that the writer must've finished a first draft and submitted it to their agent/editor. Well, maybe I shouldn't say editor, because if an editor did read any of the manuscript, he/she should've wiped their ass with it because to say they read it and then published it that way, well that agent/editor should be fired! So enough of my ranting. I wanted to talk about ways to set yourself apart from this large crowd of non-writers that are also seeking to publication.
First, I must strongly urge you to pay very close attention to your writing. Walk amongst the trees again! Reread your work once it's finished, seeking out those misspellings and unclear thoughts. Fix them! This is called editing. It exists for a reason. I know it's boring and sometimes very tedious, but without it, you may come across to the reader as a moron or lazy. I usually edit my short stories several times before they ever see the light of day. Another trick is to get a couple of close friends (people that will tell you honestly what they think of your story) to read your work and provide feedback. Also, make sure these people are fairly literate. There's no need asking someone that never reads for their opinion. Try to steer clear of people that will tell you that they love your work because they wouldn't want to hurt your feelings by telling you that they did not like what they read. I believe there are a lot of writers out there with this problem. Actually, I'm quite sure of it! I've seen authors with dreadfully bad stories posted on the internet and the comments have all been sugar-coated bullshit about how well the story was written, etc. Please! This does nothing to help the writer improve and only gives him/her a false sense of pride. Make sure you receive honest, educated feedback. My wife is my first reader (she's an English professor) and I listen to most everything she says about what I should correct. However, sometimes I might disagree with her on more subjective things. In which case, I leave it the way I originally wrote it, but this is quite rare.
Okay, I know I've praddled on quite a bit so I'll offer up one more bit of advice: study the really successful authors in the field. And not just one, but several. Get to know why they are successful. You should be able to glean this from reading their work and watching how they write descriptive scenes, their use of narration and dialog and a whole host of other things. You will learn volumes from their writing if you open up your mind to look for these things. Also, read some truly bad authors to learn what not to do. I think that if you follow this advice: learn your grammar, edit (edit, edit), let others provide unbiased feedback about your writing, and learn from the success or mistakes of other writers; you will single yourself out from the herd of talentless twits trying to take away from you that publishing slot.
One last thing: as a writer, you should always be improving and growing. Never stop doing that!
I like to say that seeking a publisher or literary agent is very similar to competing in American Idol. I say this because if you watch American Idol, there are hundreds of thousands of people who audition for that show. Out of that multitude, some actually have talent. The rest? Well, they're disillusioned individuals that think they have talent. Now, I can't sing. If I tried, people might pay me to stop! But rest assured, you won't see me in line to audition for that show. At least I know I can't sing, so there's no use in me trying. But what about all those idiots that stand in line, waiting to waste the judges' time? How can they not know that they suck? I mean, really! Well, I feel that many aspiring writers today are equivelant to these talentless asshats that tryout for AI and think they have talent. Of course, I believe that editors and agents are too professional to tell a horrible writer that they suck as candidly as Simon Cowell delivers the news point-blank. I think it would be a much different industry if editors/agents were so blunt.
I like to follow literary agents' and publishers' blogs to keep abreast of the industry and changes in it. Also, I try to follow some professional authors' blogs (not only because I enjoy what many of them have to say, but because they can teach me things about the craft of writing and the publishing industry). I even follow some of the unpublished writers. Now, the aspiring writers are the best, in my opinion, because they are like a yard stick by which I can measure myself against the competition. For instance, one writer said they were going to write four different stories for four different submission calls they heard about. Well, that's fine and dandy, but I've read quite a bit of this writer's previous stories and they all stank (again, my opinion--well, and a few of my friends' opinions as well). The writer in question comes across too brash, always trying to whip out a story like a switchblade in a streetfight. When a writer acts that hastily, usually their work suffers because of it. This writer is no exception. All it takes is to read this writer's work to see that spelling and grammatical mistakes go unchecked because the writer is too caught up in the daydream of being in print and hurries toward it without heed. As a writer, your work reveals a lot about you. Writers should not try to publish (or self-publish) a piece of work until it is as error free as possible. Otherwise, you come across sloppy and/or lazy.
I also find it embarrassing to correspond with other writers only to learn that their messages are peppered with misspellings or that the idea the writer tried to convey was jumbled and difficult to follow. As writers, we're supposed to be wordsmiths. Our vocation is using words to paint visual imagery to our readers, to efficiently and elegantly describe or convey something to those reading our prose. When I read an email or message from a fellow writer and I see ungrammatical text and the sender is telling me they write, have written, or better yet, are published, I can't help but roll my eyes and wonder whether they are just lying. I mean, what kind of agent or editor would represent such a sloppy, lazy person? I know you may be reading this and asking yourself where I get off thinking I'm God's gift to the reading world. Well, I don't want to come off sounding so high-handed, but goddamn it, someone needs to bring attention to this situation.
I read the work of a professional author recently (I won't mention any names, but this writer is fairly prolific) and I was amazed that a major publishing house represented this writer. I actually thought that the writer must've finished a first draft and submitted it to their agent/editor. Well, maybe I shouldn't say editor, because if an editor did read any of the manuscript, he/she should've wiped their ass with it because to say they read it and then published it that way, well that agent/editor should be fired! So enough of my ranting. I wanted to talk about ways to set yourself apart from this large crowd of non-writers that are also seeking to publication.
First, I must strongly urge you to pay very close attention to your writing. Walk amongst the trees again! Reread your work once it's finished, seeking out those misspellings and unclear thoughts. Fix them! This is called editing. It exists for a reason. I know it's boring and sometimes very tedious, but without it, you may come across to the reader as a moron or lazy. I usually edit my short stories several times before they ever see the light of day. Another trick is to get a couple of close friends (people that will tell you honestly what they think of your story) to read your work and provide feedback. Also, make sure these people are fairly literate. There's no need asking someone that never reads for their opinion. Try to steer clear of people that will tell you that they love your work because they wouldn't want to hurt your feelings by telling you that they did not like what they read. I believe there are a lot of writers out there with this problem. Actually, I'm quite sure of it! I've seen authors with dreadfully bad stories posted on the internet and the comments have all been sugar-coated bullshit about how well the story was written, etc. Please! This does nothing to help the writer improve and only gives him/her a false sense of pride. Make sure you receive honest, educated feedback. My wife is my first reader (she's an English professor) and I listen to most everything she says about what I should correct. However, sometimes I might disagree with her on more subjective things. In which case, I leave it the way I originally wrote it, but this is quite rare.
Okay, I know I've praddled on quite a bit so I'll offer up one more bit of advice: study the really successful authors in the field. And not just one, but several. Get to know why they are successful. You should be able to glean this from reading their work and watching how they write descriptive scenes, their use of narration and dialog and a whole host of other things. You will learn volumes from their writing if you open up your mind to look for these things. Also, read some truly bad authors to learn what not to do. I think that if you follow this advice: learn your grammar, edit (edit, edit), let others provide unbiased feedback about your writing, and learn from the success or mistakes of other writers; you will single yourself out from the herd of talentless twits trying to take away from you that publishing slot.
One last thing: as a writer, you should always be improving and growing. Never stop doing that!
Thursday, October 22, 2009
One Word, One Sentence, One Paragraph At A Time: Baby Steps Toward That First Novel
It's almost NaNoWriMo time again and while I've never participated in this event I thought I'd comment on writing a novel. This is by no means a nut-and-bolt breakdown of writing something as monumental as a novel, but it should spur some motivation in anyone who reads this and wants to make the commitment it takes to undergo the journey to produce something as lengthy as a book. Here's how I do it, in a nutshell...
It's amazing how many people want to become writers, or at least, how many say they want to write a book. Most of these people never make the time to ever write to begin with, but that's a whole different topic I may address later. For those that do make the time and then sit down, trying to write, they soon become frustrated by the monumental task of writing a novel. I didn't have that problem when I wrote my first book, The Shadow People. I read Stephen King's book, On Writing, prior to embarking on the task of writing. (I seem to do everything the hard way first)
In his book, King says to commit to a regimen of 1,000 words every day (and that it is permissible to take one day off each week). He said that in a period of three months, one could have a novel. Granted, there is a lot of other factors that come into play: creativity, a good story idea, and fortitude, to name but a few. I already had an idea, however, and I did as he said. I sat down each day in a closed room and did a brain dump, putting my 1,000 words (or more, sometimes less) down on paper. Well, actually into the computer, but whatever, let's not split hairs here.
After three months had passed I had my first draft complete. I didn't sit and worry about how long the story should be, or suffering through a certain number of pages. I think if any of those concerns had carried much weight I might have been doomed before I started. I simply began strolling among the trees, comprised of words and scenes, until eventually, I came out on the other side and was able to turn and look back at the forest I had traveled through. It was a spectacular feeling!
Oh sure, there were days when I sat and tried to write those thousand words, but nothing wanted to come out. Those days were tough, but I stayed at my desk until I finished, and then there were days when I wrote two to five thousand words. Those days didn't come as often, however. For me, I simply sat down and looked at where I had left off. Once I was reacquinted with my place in the story, I watched as it unfolded in my head like recapping a movie or television show. As it played out, I sat by as a spectator, recording what I saw happening on the stage of my mind. With this technique, it's harder for the writer to pace the floor worrying about how many words he/she has written, or how many more they have to write to be finished for the day. Your job at this point is to simply watch happens and write what you see. The content will make itself: first as a word, then a sentence, and finally forming each paragraph at a time.
Writing is not an easy job. It's hard! Much harder than I first thought. Sitting down to write for one's self takes a lot of the difficulty out of it, but if you're writing for an audience and a living, there's so much more to worry about than how many words you can suffer through. If suffering through them is your primary concern, you shouldn't be writing anyway because then there's no joy in it. So, if you still want to write and you take it serious, just sit back and let your mind play and your fingers fly. Your story will eventually write itself. Just get it from your head to the paper. There's no one else that can transcribe that masterpiece but you, and the second draft is where you worry about fine-tuning it.
It's amazing how many people want to become writers, or at least, how many say they want to write a book. Most of these people never make the time to ever write to begin with, but that's a whole different topic I may address later. For those that do make the time and then sit down, trying to write, they soon become frustrated by the monumental task of writing a novel. I didn't have that problem when I wrote my first book, The Shadow People. I read Stephen King's book, On Writing, prior to embarking on the task of writing. (I seem to do everything the hard way first)
In his book, King says to commit to a regimen of 1,000 words every day (and that it is permissible to take one day off each week). He said that in a period of three months, one could have a novel. Granted, there is a lot of other factors that come into play: creativity, a good story idea, and fortitude, to name but a few. I already had an idea, however, and I did as he said. I sat down each day in a closed room and did a brain dump, putting my 1,000 words (or more, sometimes less) down on paper. Well, actually into the computer, but whatever, let's not split hairs here.
After three months had passed I had my first draft complete. I didn't sit and worry about how long the story should be, or suffering through a certain number of pages. I think if any of those concerns had carried much weight I might have been doomed before I started. I simply began strolling among the trees, comprised of words and scenes, until eventually, I came out on the other side and was able to turn and look back at the forest I had traveled through. It was a spectacular feeling!
Oh sure, there were days when I sat and tried to write those thousand words, but nothing wanted to come out. Those days were tough, but I stayed at my desk until I finished, and then there were days when I wrote two to five thousand words. Those days didn't come as often, however. For me, I simply sat down and looked at where I had left off. Once I was reacquinted with my place in the story, I watched as it unfolded in my head like recapping a movie or television show. As it played out, I sat by as a spectator, recording what I saw happening on the stage of my mind. With this technique, it's harder for the writer to pace the floor worrying about how many words he/she has written, or how many more they have to write to be finished for the day. Your job at this point is to simply watch happens and write what you see. The content will make itself: first as a word, then a sentence, and finally forming each paragraph at a time.
Writing is not an easy job. It's hard! Much harder than I first thought. Sitting down to write for one's self takes a lot of the difficulty out of it, but if you're writing for an audience and a living, there's so much more to worry about than how many words you can suffer through. If suffering through them is your primary concern, you shouldn't be writing anyway because then there's no joy in it. So, if you still want to write and you take it serious, just sit back and let your mind play and your fingers fly. Your story will eventually write itself. Just get it from your head to the paper. There's no one else that can transcribe that masterpiece but you, and the second draft is where you worry about fine-tuning it.
Wednesday, October 14, 2009
Stranger in a strange land: Crossing over the genre line
When I first started writing, I wrote only horror stories. Horror is my passion. I'm a horror junkie. Whether it be movies, television, or books, I prefer horror. I love all the old slasher films. I watched Buffy the Vampire Slayer and now I am a huge fan of the show Supernatural. I read mainly Stephen King for scares. Yes, I pigeon-holed myself as a horror writer because it's what I love to read, so naturally it's what I chose to write.
My best friend and writer, Mark, is quite the opposite. He is a sci-fi author. Which stands to reason since he is as passionate about science fiction and space as I am with the dark and my monsters. I do not want to be labeled as only a horror writer, however. When you stand back and look, you'll see that Stephen King, although called the King of Horror, does not write only horror stories. He has written science fiction (the first one to come to mind is a short story called The Jaunt), fantasy (the whole Dark Tower series) and other works of fiction, although I'm not sure quite how I would label them (The Shawshank Redemption and The Green Mile).
Although I love horror and want to dethrone my idol, Stephen King, I don't want to simply be complacent in the horror genre. I want to spread my wings, flex my creative mind and reach out to other realms of writing. It's definitely a great way to excercise your creativity. I decided to try my hand at science fiction because fantasy and other genres, mystery, romance, etc. do not appeal to me. I will say, however, that they may appeal to me one day, just not right now. Science fiction never appealed to me before, with a couple of exceptions: Stephen King's The Jaunt and Ray Bradbury's awesome story, Mars Is Heaven. I have always loved that story because it broke the stereotypical mold I had of the genre being dominated by pasty nerds in glasses swooning over space stories such as Star Trek and Star Wars. (Note: I enjoy watching Star Trek and loved Star Wars as a child, but Star Wars has somehow lost its luster to me as an adult.) What appealed to me about Bradbury's story was how it did not take place in a space craft among the stars (granted, there is a space ship, but the setting is more like that of Earth). The twist ending was the thing I loved most. I am a huge fan of Twilight Zone-Rod Serling-ish endings. That's what turns my dials up to ten. Another thing that turned me off from the science fiction genre was the notion that the field has been too heavily mined, much like Vampire stories in the horror genre, there just wasn't much unexplored territory.
That last notion is somewhat of a misconception, in my opinion. Sure, the genre has been heavily mined but so has the horror genre, that's why a creative mind is so vitalas well as reading broadly. Stephen King once said that writing is like being ushered into a vast building with more doors than one can open in a lifetime, and as a writer, you're given leave to open as many as you like. It's definitely true with all writing, no matter the genre. I recently read a sci-fi story called Blood Child, which blew me away. Again, it did not take place aboard a space craft, which intrigued me because of my stereotypical view of the genre. It now ranks top in my mind, next Bradbury's story, sitting aloft that pedestal with Mars Is Heaven. I decided to try my hand at writing some sci-fi. I explored the farthest recesses of my mind for a good story angle. I came up with a black hole scenario (again, mined to death). I kicked it around, looking for some new spin on it, but no matter what I dreamed up, it seemed too cliche. After letting the idea ferment for about a week, something came to me. I had the perfect twist ending. I sat down and pounded the story out and began editing it. I had written my first science fiction piece! One that I am quite proud of.
Bitten with the bug, I decided to see if lightning would strike twice. I racked my brain for different scenarios, but my lack of science fiction exposure hindered me. After all, I do not read much science fiction, so I was niave about what had been overdone and what was on the fringes of the genre. For me, it was unmapped territory. I began reading science fiction stories to test the boundaries and get a feel for the style of some notable authors. Finally, another idea came to me. I wrote it down in my Ideas file for later. While I thought I was stuck for ideas days ago, another story emerged from the abyss, bubbling up like Texas-T for old Jedd Clampett. I watched a television show that mentioned The Lost Colony of Roanoke, a subject that has always intrigued me. I turned the mystery around in my mind and got a great idea for a science fiction yarn. A story that I'm currently editing. Since then, I've had some other ideas for sci-fi stories. I've even written my first poem!
My point is this: don't try to pigeon-hole yourself because other genres don't appeal to you. If you give them a try, reading several different stories by several different authors, you may find that you like some of the works in a particular genre and that can open up a new area for you to excercise your writing abilities. This is why I said earlier that while I don't like romance and mystery, it's not to say that I never will. To subscribe to that theory would make me closed minded, and close mindedness (to me, at least) is an author's poison. So spread your creative wings and fly!
My best friend and writer, Mark, is quite the opposite. He is a sci-fi author. Which stands to reason since he is as passionate about science fiction and space as I am with the dark and my monsters. I do not want to be labeled as only a horror writer, however. When you stand back and look, you'll see that Stephen King, although called the King of Horror, does not write only horror stories. He has written science fiction (the first one to come to mind is a short story called The Jaunt), fantasy (the whole Dark Tower series) and other works of fiction, although I'm not sure quite how I would label them (The Shawshank Redemption and The Green Mile).
Although I love horror and want to dethrone my idol, Stephen King, I don't want to simply be complacent in the horror genre. I want to spread my wings, flex my creative mind and reach out to other realms of writing. It's definitely a great way to excercise your creativity. I decided to try my hand at science fiction because fantasy and other genres, mystery, romance, etc. do not appeal to me. I will say, however, that they may appeal to me one day, just not right now. Science fiction never appealed to me before, with a couple of exceptions: Stephen King's The Jaunt and Ray Bradbury's awesome story, Mars Is Heaven. I have always loved that story because it broke the stereotypical mold I had of the genre being dominated by pasty nerds in glasses swooning over space stories such as Star Trek and Star Wars. (Note: I enjoy watching Star Trek and loved Star Wars as a child, but Star Wars has somehow lost its luster to me as an adult.) What appealed to me about Bradbury's story was how it did not take place in a space craft among the stars (granted, there is a space ship, but the setting is more like that of Earth). The twist ending was the thing I loved most. I am a huge fan of Twilight Zone-Rod Serling-ish endings. That's what turns my dials up to ten. Another thing that turned me off from the science fiction genre was the notion that the field has been too heavily mined, much like Vampire stories in the horror genre, there just wasn't much unexplored territory.
That last notion is somewhat of a misconception, in my opinion. Sure, the genre has been heavily mined but so has the horror genre, that's why a creative mind is so vitalas well as reading broadly. Stephen King once said that writing is like being ushered into a vast building with more doors than one can open in a lifetime, and as a writer, you're given leave to open as many as you like. It's definitely true with all writing, no matter the genre. I recently read a sci-fi story called Blood Child, which blew me away. Again, it did not take place aboard a space craft, which intrigued me because of my stereotypical view of the genre. It now ranks top in my mind, next Bradbury's story, sitting aloft that pedestal with Mars Is Heaven. I decided to try my hand at writing some sci-fi. I explored the farthest recesses of my mind for a good story angle. I came up with a black hole scenario (again, mined to death). I kicked it around, looking for some new spin on it, but no matter what I dreamed up, it seemed too cliche. After letting the idea ferment for about a week, something came to me. I had the perfect twist ending. I sat down and pounded the story out and began editing it. I had written my first science fiction piece! One that I am quite proud of.
Bitten with the bug, I decided to see if lightning would strike twice. I racked my brain for different scenarios, but my lack of science fiction exposure hindered me. After all, I do not read much science fiction, so I was niave about what had been overdone and what was on the fringes of the genre. For me, it was unmapped territory. I began reading science fiction stories to test the boundaries and get a feel for the style of some notable authors. Finally, another idea came to me. I wrote it down in my Ideas file for later. While I thought I was stuck for ideas days ago, another story emerged from the abyss, bubbling up like Texas-T for old Jedd Clampett. I watched a television show that mentioned The Lost Colony of Roanoke, a subject that has always intrigued me. I turned the mystery around in my mind and got a great idea for a science fiction yarn. A story that I'm currently editing. Since then, I've had some other ideas for sci-fi stories. I've even written my first poem!
My point is this: don't try to pigeon-hole yourself because other genres don't appeal to you. If you give them a try, reading several different stories by several different authors, you may find that you like some of the works in a particular genre and that can open up a new area for you to excercise your writing abilities. This is why I said earlier that while I don't like romance and mystery, it's not to say that I never will. To subscribe to that theory would make me closed minded, and close mindedness (to me, at least) is an author's poison. So spread your creative wings and fly!
Wednesday, October 7, 2009
Releasing your book into the wild: When is the best time to submit your work?
I've encountered this quite a bit lately and even wrestled with the question myself. I recently read on a writer's bulletin board a post that basically asked when one should finish a work and move on to the next WIP (work-in-progress for those that don't already know). A literary agent even addressed this question as well, so I decided to further the topic. As I've said, I wrestled with this conundrum myself, but luckily, I've managed to see past it. While I still haven't actually released my novel into the wild yet, I have gotten the inspiration to get it finished much quicker.
Here's my account: I began writing The Shadow People in 2005, before my horrible divorce. It took me 3 months to write the first draft. I set it aside while my life was turned upside down. I tried editing the hard copy in 2006, but felt it was too monumental of a task along with the ongoing divorce, so I quit after 80 pages. In 2007, after remarrying, I pulled out the manuscript and began thinking of how to edit the monstrous thing. I had a ream of pages before me and the mere sight of it took the wind out of my sails. Finally, I sat down with a legal pad and pen and read the whole thing through, creating an outline of revision notes on the pad. I thought it was horribly written and decided it needed a rewrite. I eventually rewrote it, although I don't remember how long it took to do so, but I think it was relatively quick. I put it aside again, to let it mellow. While it was tucked away, I began other novels, leaving them in various stages to work on other projects that felt more interesting. Finally, I stood back and looked at the mess of WIPs I had accumulated, realizing that if I kept on like this I would always have plenty of unfinished projects out there and nothing to show for it. Meanwhile, I kept reading agent blogs and news of debut authors selling their books to publishers. If I wanted to join these new authors' ranks, then I knew I had to get off my ass and quit procrastinating with my work. Like writing a first draft, I vowed to set some limits to accomplish the goal. I committed to editing a minimum of 10 pages each day. With 380 pages, it would take me just over a month. I made it through and it felt great! Now, I've decided to make one more pass, a 4th revision, but this one will be a lighter version since I've already completed the line-edit. I'll look at pacing, dialog that doesn't progress the story, etc. and clean all this up. When finished, I plan to distribute it to my first readers who've expressed an intrest in reading it to provide me with feedback.
The moral of my experience is this: writers are great at procrastinating! Whether they think of it that way or not, it's true. Maybe it's the trepidation we feel toward rejection. I could've continued telling myself that my work just wasn't good enough with each revision. Reading it over and over, feeling that I can do better than this. Of course, as writers, we should constantly be growing in our craft and this means that we will always look back at our older writing and see where we could improve it or express something better than we did. Even the famous authors have published books they can look back on, thinking, Wow, I could've done better than that! At least they're published! This is what finally lit the fire under my ass. I want to join the ranks of published novelists, so I decided to get the story written to the best of my current ability. If you sit on the manuscript, thinking you can always do it better, then you'll probably find yourself in the same detrimental cycle I was in. Eventually, you have to see if it has wings and can fly from the nest.
Here's my account: I began writing The Shadow People in 2005, before my horrible divorce. It took me 3 months to write the first draft. I set it aside while my life was turned upside down. I tried editing the hard copy in 2006, but felt it was too monumental of a task along with the ongoing divorce, so I quit after 80 pages. In 2007, after remarrying, I pulled out the manuscript and began thinking of how to edit the monstrous thing. I had a ream of pages before me and the mere sight of it took the wind out of my sails. Finally, I sat down with a legal pad and pen and read the whole thing through, creating an outline of revision notes on the pad. I thought it was horribly written and decided it needed a rewrite. I eventually rewrote it, although I don't remember how long it took to do so, but I think it was relatively quick. I put it aside again, to let it mellow. While it was tucked away, I began other novels, leaving them in various stages to work on other projects that felt more interesting. Finally, I stood back and looked at the mess of WIPs I had accumulated, realizing that if I kept on like this I would always have plenty of unfinished projects out there and nothing to show for it. Meanwhile, I kept reading agent blogs and news of debut authors selling their books to publishers. If I wanted to join these new authors' ranks, then I knew I had to get off my ass and quit procrastinating with my work. Like writing a first draft, I vowed to set some limits to accomplish the goal. I committed to editing a minimum of 10 pages each day. With 380 pages, it would take me just over a month. I made it through and it felt great! Now, I've decided to make one more pass, a 4th revision, but this one will be a lighter version since I've already completed the line-edit. I'll look at pacing, dialog that doesn't progress the story, etc. and clean all this up. When finished, I plan to distribute it to my first readers who've expressed an intrest in reading it to provide me with feedback.
The moral of my experience is this: writers are great at procrastinating! Whether they think of it that way or not, it's true. Maybe it's the trepidation we feel toward rejection. I could've continued telling myself that my work just wasn't good enough with each revision. Reading it over and over, feeling that I can do better than this. Of course, as writers, we should constantly be growing in our craft and this means that we will always look back at our older writing and see where we could improve it or express something better than we did. Even the famous authors have published books they can look back on, thinking, Wow, I could've done better than that! At least they're published! This is what finally lit the fire under my ass. I want to join the ranks of published novelists, so I decided to get the story written to the best of my current ability. If you sit on the manuscript, thinking you can always do it better, then you'll probably find yourself in the same detrimental cycle I was in. Eventually, you have to see if it has wings and can fly from the nest.
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