Showing posts with label Rabbit on the Run. Show all posts
Showing posts with label Rabbit on the Run. Show all posts

Friday, September 27, 2013

The Rabbit is on the Run

I have a new book out called Rabbit on the Run. This is a novella of southern literature--quite a departure from what I normally write. The story is set in the Depression-era south, about a field worker named Gordon Mosely who is running for his life from a lynch mob determined to see him swing from a rope for a murder he didn't commit. You can see the cover over in the right sidebar or click the link above to find where the story is available as well as read a little trivia about the story's concept.

If you're into southern literature, then may I also recommend my novel, Lathem's Lament. Despite taking place in different times, I think both stories go well together and compliment one another, especially if you're a fan of a bygone era.

These will probably be the last of the old southern tales I write for a while. I tend to write any story idea I fall in love with, regardless of worrying about staying within the boundaries of a certain genre, as some of you may already know. I'm working to try to finish several books I've already started, which I mentioned in this post and provided sneak peeks of the book covers. While I'm still planning to release those books, new ideas have come to me that I've fallen in love with and some of those have taken priority. My usual plan is to write the first draft of a story and then push it aside to mellow while I return to other works that have, hopefully, already mellowed. Lathem's Lament and Rabbit on the Run are two of those from the last batch of ideas that I've now harvested (so to speak). Carniville is in the editing process right now. Youthanasia and Consuming Darkness are still up in the air.

Lately, I've been returning to my roots: writing horror, and this is reflected in my next batch of story ideas. Currently, I'm hard at work on a story called What Goes Around, about nine children who vanish from a carousel in 1958, in front of their parents. Sixty years later, the children miraculously reappear when three teenagers sneak into the amusement park and spin up the old carousel. I've written nearly one hundred pages of this book, but recently put it aside to edit Carniville. I'm anxiously looking forward to returning to it as well as beginning some other stories I've recently had ideas for. That's about all the inside scoop I have to offer at the moment, and why I've been so aloof from my blog. Hopefully, I'll have more stories ready to publish very soon, stories that all of you who're reading my blog or my books. I want you to be satisfied with what I put out there for you. Thanks for stopping by, and keep a lookout for my next releases!

Monday, September 2, 2013

What's new, pussycat?

Sorry I've been MIA for a while. I've been busily working on some new projects. My son and I began a new silicone Halloween mask. He had never created one, so I wanted to walk him through the process with me. I figured it would be a fun learning experience, which it was. The sculpture turned out really well, as you can see from the picture(s) below. Unfortunately, when we began separating the plaster mold, it broke, so that was the end of that project. All that work down the drain. Eventually, I'll start over as Halloween draws closer.


In other news, I am wrapping up my novella, Rabbit on the Run, which will soon be available via all of my typical distributors. I will provide links for anyone interested in obtaining copies once it is officially released. In addition, I am dividing my time to edit Carniville, a murder mystery involving human oddities; rewriting The Consuming Darkness, formerly known as The Shadow People, the first novel I'd ever written and has undergone many rewrites. (Most of these books I've mentioned in a previous post, which you can read here).

I've stalled on Youthanasia, a science fiction novel about the pros and cons of immortality, due to a lack of enthusiasm. That's not going to stop me from finishing the story and publishing it, though. When I say "lack of enthusiasm", I don't mean it's a substandard or mediocre story. It just means that some other ideas have stolen the spotlight in my imagination and I'm choosing to focus on them right now, which I will talk about in a minute. Also, I've kind of run up against a wall as far as the plot is concerned. I'm not sure where to go with the story while keeping the reader engaged in finding out what happens next. After I let it ferment and mellow for a while on the back burner, I'm sure I'll find a way around that obstacle.

The story who holds my heart at the moment is a new work of horror that I'm currently writing called What Goes Around. I've only spent two days working with it and, already, I've managed to put down a little over twenty pages worth of story. If you don't know what to make of that, let me just clarify by saying that the words are flowing like Niagara Falls; coming extremely easy, which isn't always the case. Since it is still in its infancy, I won't divulge too much, but I will give you the synopsis to whet your appetite. It goes something like this:

In the fall of 1958, in front of onlooking parents, nine children riding a carousel suddenly vanish. Despite efforts to explain the phenomenon, the children were never found, questions went unanswered, and the amusement park was closed.

Until Now...


Nearly sixty years later, three teenagers sneak into the newly-opened park on a dare and spin up the old carousel. They face a startling discovery when the nine children unexpectedly reappear. The boys and girls look the same as the day they vanished, but something is fundamentally different, because...

What Goes Around, Comes Around


I'm excited by this story's potential and hope readers are, too. I've already developed a cover for it and plan to hone this story into a reasonable facsimile of the product I see in my imagination. If I'm successful, then this will be a creepy romp through a sinister landscape that keeps readers captivated, turning pages to find out where these children have been and what mysteries the merry-go-round holds. Already, while writing it, I've given myself plenty of goose bumps. I hope I can pass them on to anyone who chooses to indulge in the story. As I get nearer to finishing it, I'll release a sneak peek of the cover.

Finally, I have some exciting news about an available title. My novel, The Old Royal, has been optioned to be made into an audio book. The narrator is a talented individual named Stephen Self. I've already listened to his audition for the book and his performance of the first chapter. I'm excited by what I've heard and anxiously await the finished product, which will be available on iTunes, Audible.com, and Amazon. Once I know the details for where you can get a copy, I'll post the links.

Stay tuned for further details. And, as always, thanks for stopping by!

Sunday, April 21, 2013

Better late, than never

I know it's been a while since my last post, and I apologize for that. Since that last post, I released my latest novel, Lathem's Lament. It seems that a new release would be an exciting occasion for any author. So, you might be wondering why there wasn't more fanfare. Well, that's because I've been very busy--er, distracted--lately. You see, I've been concentrating my efforts in areas unrelated to writing. Namely, I recently gained custody of my youngest son, which is a huge relief and something I've been working toward for some time. However, there are still some legalities I must contend with, which are causing distractions.


But, of course, you didn't come here for any of that extraneous stuff. No, hopefully, you're here to learn more about my latest book. Well, thanks for your interest! Let me indulge you. Lathem's Lament is a Southern Gothic that I released April 4th. It's the story of few residents of a Georgia farming community in the summer of 1952. The main family, the Whitfields, are worrying about their oldest son, Lathem, as he fights in Korea. In addition, they also must contend with failing crops, mounting bills, some nefarious neighbors, and racial clashes.

The plot of the book came to me after reading several authors, namely, Faulkner, Caldwell, Steinbeck, and, probably more importantly, John Grisham. It may strike some people as odd to see Grisham's name among those who influenced a work of southern literature. First, I want to point out that I was largely inspired by William Faulkner's presentation in his book, As I Lay Dying. I thought it was brilliant how he told the story from each character's point-of-view. Of course, Faulkner is probably best known for his stream of consciousness, which is something I don't necessarily enjoy, but did execute. In my book, each chapter is from a different character's perspective, even their thoughts. What better way to get to know the people in the story than to get inside each one of their heads? Second, I have to give John Grisham a large part of inspirational credit, because it was his book, A Painted House, that really fueled my desire to write a southern novel. After reading his book, Lathem's Lament had taken root and began to grow quickly in my mind.

If you're a fan of southern literature, I highly recommend you read Lathem's Lament (of course, you saw that plug coming, didn't you?) Also, if you're not really a fan of southern literature, I'd still recommend it. Despite the rural southern setting, this book is an engaging character study, chock full of diverse characters with varying situations. And, what Southern Gothic doesn't have a supernatural element? As an added bonus, I've included the first chapter of my next story, Rabbit on the Run, at the end of the book. (You can find a lineup of my next couple of books here.)

So, if you haven't gotten a copy yet, see the book's page on my website for links where you can get your copy today. I think you'll enjoy it. And, if you do, please, leave a review. I'd certainly appreciate it. Thanks for stopping by.

Saturday, March 16, 2013

Sneak Peek!

I may or may not have said in the past that I will no longer give any sneak peeks of any works in progress because the design can dramatically change before I actually release a book. Well, screw that! I'm feeling saucy. Maybe it's this beautiful weather. Maybe it's because my math studies are going so well. Who knows? Better yet, who cares?

I know I enjoy getting glimpses into other writers' minds when they share where they are with a story, especially when some of those stories are still near the edges of their radar in terms of being released. I figured I would share some of the things I am working on and give you a bit of information about their status in the process. A word of warning before we proceed, however. Keep in mind that some of these books are still in the creation process, so they are still very much apt to change. In addition, the synopses on the covers you will see are most likely going to change. Currently, these are placeholders, but they do reflect my intentions (more or less). Side note: you might think I'm a bit odd for creating the book covers before I've written the story. "That's not how (insert famous author's name here) does it!" Well, f***k (insert famous author's name here)! is what I say. I'm not that person and this is how I do it and find inspiration to keep plugging away. We cool with that? Okay then, so, here we go...


First, I present to you, Lathem's Lament. This is a Southern Gothic novel I have been kicking around since 2010. I wrote it after reading several classical southern writers such as Faulkner, Steinbeck, and Caldwell, to name but a few. I enjoyed many of their stories so much that I decided to try my hand at a story that was brewing during my reading. This is the end result. This story is already in print, but won't be available to the public until later this month or (very) early April. I've received a lot of positive feedback from my beta readers and have a couple of other beta readers going through it now. Anyone familiar with Faulkner's As I Lay Dying will see a similarity in the book's format. I really loved how he wrote each chapter as a different character's POV and wanted to do that with one of my own.


Next, we have Rabbit on the Run, another Southern Gothic, this time from the Depression-era. Currently, this is a novella. I just finished the first draft of this story this past week. For some reason, I'm finding that writing southern literature is loads of fun. I questioned whether southern literature still had a sizable audience and then remembered that Joe R. Lansdale is doing pretty well, so I guess the answer is Yes. Anyway, I show some of the hideous mentalities of society in this story, about a black man wrongfully accused of killing a white girl and flees a lynch mob. Hopefully, it will meet with a warm reception. I'll have to see what my beta readers say first.


Youthanasia is my first foray into real science fiction. It deals with the pros and cons of curing aging, something that really piqued my interest when I listened to a presentation given by a scientist named Aubrey de Grey. He's very passionate about this field of study and claims that we will eventually cure aging, and probably sooner than anyone thinks. If that doesn't grab your attention and give it a good shaking, then you need to check for your pulse. Needless to say, the gears of my imagination began to spin and I came up with this story, which follows a geneticist who has secretly taken a serum he and some other researchers developed, which stops the aging process. The reader gets to see the pros and cons of this polemic subject first-hand from the character's POV and decide for themselves whether they would want to live forever, or not. While researching this story, I corresponded with a biologist in the field to pick his brain on some of the finer points. Hopefully, I will do his feedback justice. Regardless, I will dedicate this book to him and probably send him a free copy for all of his help.


This is a book I'm sure I've mentioned in the past. Carniville is a locked-room mystery I created using an apartment complex of sideshow workers when they were not touring the freak show circuit. First, I wanted to try my hand at writing a locked-room mystery, something which seems very difficult for me not only to solve when reading one, but also to develop using my feeble brain. Secondly, I decided, failing to achieve that first point, I'd at least have an interesting cast of characters for a good crime story. During the writing of this story, the words flowed nicely. Eventually, however, I hit a brick wall with the plot, so I put it aside (yes, these other stories are what happen when I fall into a rut during my writing). I will let this one mellow until I can return to it with a solution for traversing that wall I mentioned. The cover's too damn good to let go to waste!


Last, but certainly not least, is Consuming Darkness. This is the first novel I ever wrote. This is what started it all. Yes, you can blame this abomination for the madness I unleash upon the world from my twisted, depraved mind. Originally, this was titled The Shadow People. I've rewritten it three times (so far). There's another rewrite waiting, I just haven't begun yet, but I have a good idea of what I want to do with it. I hope that this book will eventually be a fresh new horror story (in case you don't know my feelings for the horror genre to-date, here it is) with an admiring nod to Lovecraft's Call of Cthulu.

So, there you have it. Several of the books I have lined up for your future reading pleasure. I can assure you, that's certainly not all of them. There are a couple of other stories in the works, at various stages, I just don't have covers for them, so there isn't really anything to show.

UPDATE: Seems I forgot to link to my feelings on the current state of the horror genre. Consider it fixed. Like I said, I have a feeble mind.

Saturday, May 5, 2012

Resurrecting Dead Stories

I've written a lot of short stories over the years. I think some of them are exceptional and I published a few of those in An Adverse Anthology: Strange & Disturbing Short Stories. As for the rest...well, some are fair and some are not very good at all. Even the bad stories, though, are still special. I spent the time to write them, after all, and burying them in a desk drawer forever just doesn't feel right to me.

You may already know that I am very close to releasing a book called The Old Royal (if not, you can find more info about it here and here). This is the story of a man who wants more than anything to become a famous writer like his idol, Roger Kurrey. In the story, I wanted to embed snippets of shorter stories to add verisimilitude to the tale of a struggling writer. To do this, I wanted to resurrect some of my older stories; those considered dead.
The bonus stories in The Old Royal are:
  1. Bad Bank Heist - This story is the only one not previously written, so it can't be considered resurrected. It's simply an idea that occurred to me spontaneously during the writing process (note the cliched name).
  2. Suicide Suite - Originally untitled; about a traveling salesman who wants to commit suicide, only to be interrupted.
  3. Rabbit on the Run - mentioned here and here; this story has languished in the writing process for a while. I hope to release it at a later date.
  4. When the Clock Strikes Three - A story that had three different plot ideas. I wrote one of them, which was horrible, but decided to pursue one of the better ideas in this book.
  5. The Final Chapter - I think the concept for this story is very interesting, however, my original execution was an abysmal failure. I think I did it justice in this context.
  6. The Black Talon - Originally titled As the Crow Flies, this story never got off the ground. One day, I may write the whole thing. I came up with the concept and wanted it to be a book. I think its better as a short story, though.

So, there you have it; a list of some short stories and ideas that I had originally mined earlier in my writing career only to turn out a bust. Some of them were complete failures on my part. Some were ideas that I felt passionate about writing, but never fully materialized. I think that in the context of a larger story, these will help give the reader some pleasant bonus material to read and help add to the richness of the larger story as a whole.

And, for those of you wondering about the status of The Old Royal: never fear, it's inching closer and closer to publication. I'm simply waiting on beta readers to help ferret out my mistakes. I won't release a book until I feel it's ready and by ready, I mean that I want it to be the best that it can possibly be. So, I hope you keep checking back for the big release which should be coming very soon. I also hope you'll pick up a copy and let me know what you think. Thanks for stopping by!

Sunday, March 4, 2012

One of those days

I've been juggling several projects recently. I'm excited about getting through another round of editing for The Old Royal. That just means it's inching closer to publication. I know there are some guys I work with who will be happy to hear that. But, alas...

On the tail of the good news comes some not-so-good news. Work on Rabbit on the Run has slowed to a stop. It seems my motivation to write dries up when I sit down to work on it. I'm still excited about the story. It just seems like Royal is sapping my motivation. Who knows? Perhaps when I get The Old Royal out the door things will pick up for Rabbit. This doesn't mean I'll let this story slip through the cracks. Hear me now and believe me later: I fully intend to complete this novel and have it published this year.

Of course, there is also Lathem's Lament to look forward to. I've already completed one editorial pass on that story, so I don't have to contend with creating something anew. This is perhaps the only occasion when editing isn't such a drag. After much thought, I've decided to release Lament and Rabbit simultaneously. I came to this conclusion after I realized that I was jumping around genres. Since it is a Southern Gothic and Rabbit also has similar characteristics, I've decided it would be best to release them together. That way, I can give my readers who want crime fiction a book while also reaching out to some new readers. Lament is a book I wrote several years ago and I refuse to see my efforts go to waste. Besides, I really like the story and think others will, too.

However, this post wasn't meant to be a status update. I wanted to express my frustration with the state of my writing. On the surface, it seems like I'm not being very productive. My blog posts are lagging, stories seem to be stalling in progress, I'm becoming distracted by external activities, and I've gained some weight. Yeah, I know, that last one has nothing to do with writing. But, it still sucks, especially since I was so good last year and lost 50 pounds.

Now that I give it more consideration, I think I'm just in a temporary funk. My writing hasn't really hit any brick walls. This is just a temporary mental thing that everyone experiences from time to time. I just need to stop dwelling on it and move on. I'm about to meet with a writer-friend for our weekly lunch where we talk about reading, writing, and practically anything else that interests us. I always enjoy our discussions because we're very like-minded. I'm sure it'll be fun and I'll get motivated again. Thanks for stopping by and listening to me rant. I promise, I'll try not to do this very often.

Monday, February 6, 2012

2012: The Lineup

I've been busy as hell trying to get some projects closer to completion. While I've been heads down working, I haven't really given the blog much attention. When I happen to think of it, I flush with embarrassment because it seems like I'm neglecting a loved one. I don't want to neglect any loved ones, especially my readers. So, I thought I'd give you guys (er, and gal(s)) a glimpse into the things I have lined up for this year.

First, I'm trying to right a wrong by publishing The Old Royal. I said in a previous post that I hoped to release this by the end of January. I had to eat crow in the previous post. I'm happy to say that my wife returned the manuscript to me and assured me it didn't require a rewrite as I had initially suspected when I jumped the gun. I am more pleased to say that I managed to edit nearly a third of the manuscript this past weekend, which, for me, is an astonishingly immense amount of editing to accomplish. I think I've said before how much I hate editing. I'd rather have my fingers pounded with a ball peen hammer. So, I hope to have this completed and handed over to my beta readers soon.

Second, I am still in the early editing phases of a Southern Gothic called Lathem's Lament. I mentioned a little bit of what it's about in this post. This is a story set in the 50s in rural Georgia. It's mainly about a family dealing with life at home while their son is fighting over in Korea. The story follows the family as well as some of the neighbors and each chapter is told from a different character's point of view. I know it's a deviation from my usual crime and horror fiction, but it's a story that I had in me and begged to be written. I obliged and hope I do it justice and that my readers will enjoy it. There is a crime that takes place in it as well as a supernatural event. Anyway, I'm working on getting it ready to hand off to the wife, too. When I release it, I hope to hear some positive reviews for it. After all, the readers are the final judges.

In addition to this vintage story, I have a Southern Gothic/crime caper in mind that I've been itching to write. I've already started it, but haven't gotten very far with everything else in line ahead of it. This is a story set in the early 30s (also in Georgia—can you see the theme here?) about a black man on the run from a lynch mob for murdering a white girl. I'm still a little sketchy on the ending because I haven't nailed it down, but I've got some ideas about how it might end. You'll have to stay tuned to find out more about it. The tentative title is Rabbit on the Run. If I can execute it the way I see it in my head, I think it'll be a fantastic read.

I mentioned a ball peen hammer earlier, which brings me to this last project. Another book set in rural Georgia, this time in the 70s. The protagonist is a Vietnam vet who witnesses a meeting between some members of the Dixie Mafia and a politician. He's running for his life as the Dixie Mafia pursues him (mainly a thug who enjoys using a ball peen hammer on his victims) and, at the same time, trying to expose the corruption he has recently discovered. I'm excited about this one, but I'll be lucky if I can release it this year. The title I have in mind is Greasing the Squeaky Wheel.

There you have it! Four big projects, all in various stages of the writing/editing process. I hope some of these sound as exciting to you as they do to me. Check back to learn how I'm progressing and watch for the stories that interest you most. They're coming. I don't know when, but I can assure you, they ARE coming. As I get closer to the publishing date for each, I'll provide some sneak peeks at the covers. Thanks for reading!