at least, for the next couple of months probably.
Currently, I have two novels and one long (long for me anyway) short story to edit into shape so that I can start shopping them around to publishers.
As I said before, I was ready to reread my short story, FETCH, to see if it turned out remotely how I envisioned it and whether it was any good. I've managed a read-through-slash-edit and I think it turned out just fine, how I saw it anyway. Whether it's good is still up for debate since readers' tastes are so subjective. I've given one copy out to a colleague at work to gauge his response and hear his feedback. Normally, my wife is always my first reader, but with school in session, I decided not to add my story to the stack of papers she has to read from students. If she knew this, I like to think she would appreciate it.
As far as the novels are concerned, I might shelve the first as it's a southern gothic set in the early 50s and I don't think there's much of a market for southern gothic anymore. I loved writing the story and I think it's really good (of course, a read through will determine if that opinion is still valid), but I'd hate to spend months editing it, whipping it into shape, only to find that I can't sell it. The second book, on the other hand, is a crime drama (still trying to find a catchy title, other than DOUBLE DEALING) that I am extremely excited about. It's in the vein of Block's Keller-series books. Mine is about a college student blackmailed into contract killing for the mafia.
If the execution went well then I think my readers will enjoy it. While it's hard to have your readers root for a killer, I think in this case it might work as we get to see how the protagonist deals with his dilemma by satisfying the mafia while trying get himself out of the situation.
So, with two books and a long short story waiting for my editorial pen, I won't be doing much new creation for a while. Well, maybe. I think I'm addicted to the creative process and probably won't be able to stop myself from taking a break to pen another short story or two. Time will tell. Until then, let's keep our fingers crossed because the editorial process is where the writer gets to stand back and look at what he/she has created. It's a chance to see if all those days of filling the blank pages has amounted to anything worthwhile. It's also (for me and probably a lot of other writers) a fragile time when doubt runs rampant.
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